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Families of Early Hartford, Connecticut
This book contains the genealogical records of over 950 families of early Hartford, Connecticut. The records that were used were mainly church records, sexton's records, and probate records and are arranged alphabetically by family name.--From Preface.
Using Declarative Mapping Sentences in Psychological Research
Using facet theory and Hackett’s pioneering development of the declarative mapping sentence (DMS) as a qualitative methodology, this volume explains the process of formulating and applying the DMS to critically assess female representation in science fiction. Using a comparative approach to the development of female roles in Western science fiction films and television, the authors illustrate how the DMS is formulated and used to analyse the psychological and behavioral profiles of female characters. By maintaining the common structure of the DMS across films while adapting its content for each female role, the text demonstrates the flexibility of the DMS in providing a structure for varied research domains, enabling results to be uniformly compared, contrasted and classified. This insightful and thought-provoking volume will appeal to researchers, academics and educators interested in psychological methods and statistics, qualitative research in gender identity, and research methods more generally. Those especially interested in behavioural psychology, gender and cinema, and science fiction will also benefit from this volume.
The Journal of the American-Irish Historical Society
Contains the Society's meetings, proceedings, etc.
Star Trek Discovery and the Female Gothic
While many scholars agree the Gothic mode has been a precursor to science fiction since Mary Shelley’s Frankenstein, Carey Millsap-Spears argues in this book that the made for streaming series Star Trek Discovery draws on an even older gothic formula, namely the Female Gothic of Ann Radcliffe’s romance novels, including The Romance of the Forest and The Mysteries of Udolpho. Millsap-Spears reads the streaming series through the lens of the Female Gothic, illustrating that each season contains the formulaic elements of a mystery, a gothic villain and heroine, an escape narrative, and the explained supernatural. In doing so, the author expands Star Trek scholarship and sheds new light on the intertextual connections between gothic literature and contemporary science fiction.
Intersectional Humanism and Star Trek: Discovery
Intersectional Humanism and Star Trek: Discovery focuses on the shift from the liberal humanism of the Star Trek franchise to the intersectional humanism of Star Trek: Discovery. Featuring a great deal of diversity both in front of and behind the camera, Discovery affirms the guiding principle of the franchise: infinite diversity in infinite combinations. Arguing that the focus of Discovery is a connection between a variety of beings and ways of being in the world, the author analyzes the relationships among humanoids and machines, animals, and between each other as well as the representation of trauma in the series. The author finds that, while there are reversions to some of the more problematic elements of liberal humanism over the course of the series, ultimately it forms connections that will progress humanity and deepen our relationship to each other and the world around us.
Star Trek and the Tragic Hybrid
Spock, Data, Worf, B'Elanna Torres, Seven of Nine, Odo, Michael Burnham, Soji. Many of Star Trek's most beloved characters are children of two worlds, the products of competing biologies, materials, and cultures. Their popularity is unsurprising: authors mine conflicted identities for dramatic effect, and viewers see their own struggles reflected in the challenges of individuals who never seem to quite fit in. This book demonstrates that the tradition is not new. Spock and his fellow hybrids have their roots in anti-slavery literature. Abolitionist authors introduced protagonists who were both Black and White, yet not fully accepted as either. Divided at their core, the attempts of these noble yet tortured individuals to bridge their two races inevitably ended in tragedy. Gene Roddenberry and his successors thrust the character type into the future, using it to explore the evolving racial attitudes of their times. Star Trek's tragic hybrids have asked audiences to see beyond color, to embrace multiculturism, to accept mixed-race identity, and, finally, to acknowledge the consequences of systemic oppression.
