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The first comprehensive technical and historical study of stringed keyboard instruments from their fourteenth-century origins to modern times.
Beiträge teilweise in deutscher, teilweise in englischer und teilweise in französischer Sprache ; Zusammenfassungen in deutsch, englisch und französisch ; Literaturangaben
This extensive catalogue accompanied the exhibition on Rembrandt’s pupils organized by Hoogsteder & Hoogsteder in 1992. In his introductory essay Professor Werner Sumowski describes the beauty of Rembrandt’s art and that of his pupils. Paul Huys Janssen shows that the term ‘School of Rembrandt’ does little justice to the excellence of the work of Rembrandt’s pupils.
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