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Wolf CEO, Don't Touch Me
A prenuptial agreement worth three million yuan, a game of self-deception. But in this humiliating relationship, she had fallen into her own heart. He was always there when she was at her most helpless, when she was poisoned by him. When the old love came back, she was naive to find out that she was nothing. Where did the wrong heart go?
Environmental Chemistry: Advanced Concepts and Applications
This book is a comprehensive guide that explores the intricate relationship between chemistry and the environment. The book offers a systematic study of various aspects, including basic chemical concepts, atmospheric chemistry, phase interactions, water pollution and treatment, the atmosphere and its chemistry, particles in the atmosphere, photochemical smog, the geosphere, geochemistry, and soil chemistry. It offers a blend of theoretical explanations, practical examples, detailed illustrations, and tables to facilitate a deeper understanding of the subject matters. The book’s uniqueness is its ability to simplify complex scientific concepts and present them in an accessible and engaging ...
Popular Memories of the Mao Era
The present volume provides an overview of new forms of popular memory, in particular critical memory, of the Mao era. Focusing on the processes of private production, public dissemination, and social sanctioning of narratives of the past in contemporary China, it examines the relation between popular memories and their social construction as historical knowledge. The three parts of the book are devoted to the shifting boundary between private and public in the press and media, the reconfiguration of elite and popular discourses in cultural productions (film, visual art, and literature), and the emergence of new discourses of knowledge through innovative readings of unofficial sources. Popul...
Transforming Traditions in Modern Chinese Painting
Modern Chinese painting embodies the constant renewal and reinvigorations of Chinese civilization amidst rebellions, reforms, and revolutions, even if the process may appear confusing and bewildering. It also demonstrates the persistence of tradition and limits of continuities and changes in modern Chinese cluture. Most significantly, it compels us to ask several important questions in the study of modern Chinese culture: How extensively can cultural tradition be re-interpreted before it is subverted? At what point is creative re-invention an act of betrayal of tradition? How has selective borrowing from Chinese tradition and foreign cultrue enabled modern Chinese artists to sustain themselves in the modern world? By focusing on the art of Huang Pin-hung (1865-1955), particularly his late work, this book attempts to provide some answers to these questions.
The Missionary Herald
Vols. for 1828-1934 contain the Proceedings at large of the American Board of Commissioners for Foreign Missions.
