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This volume looks at the interface between ideology, religion and culture in Punjab in the 20th century, spanning from colonial to post-colonial times. Through a rereading of the history of Punjab and of Punjabi migrant networks the world over, it interrogates the term ‘radicalism’ and its relationship with terms such as ‘militancy’, ‘terrorism’ and ‘extremism’ in the context of Punjab and elsewhere during the period; explores the relationship between left and religious radicalism — such as the Ghadar movement and the Akalis — and the continuing role of radical movements from British Punjab to the independent states of India and Pakistan. Expanding the dimensions on the study of Punjab and its historical impact in the South Asian region, this book will interest scholars and students of modern Indian history, politics and sociology.
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BY ONE OF THE MOST INFLUENTIAL INDIAN WRITERS OF THE TWENTIETH CENTURY 'The deftness with which Attia Hosain handles the interplay of manners, class, culture and different forms of female power is gorgeously done . . .' KAMILA SHAMSIE 'An extraordinary novel, with an extraordinary heroine' MONICA ALI 'A masterful examination of class, culture, family and women's lives set against the backdrop of Partition' KIRAN MILLWOOD HARGRAVE 'My life changed. It had been restricted by invisible barriers almost as effectively as the physically restricted lives of my aunts in the zenana. A window had opened here, a door there, a curtain had been drawn aside; but outside lay a world narrowed by one's field...
Includes revised issues of each edition.
Shakespeare in Pakistan offers a comprehensive examination of the appropriation of Shakespearean plays in Pakistan, with a focus on how these works engage with creative, indigenous, cultural, culinary, and religious expressions of identity. The book traces the historical progression of Shakespearean adaptation in both pre- and post-independence Pakistan. This analysis encompasses theatrical and cinematic performances by prominent groups such as Theatre Wallay and the National Academy of Performing Arts (NAPA), both established in 2005. It meticulously explores the recontextualization of Shakespeare's works in the Pakistani context through postdramatic and performance theory lenses. Key perfo...