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Alice beyond Wonderland explores the ubiquitous power of Lewis Carroll’s imagined world. Including work by some of the most prominent contemporary scholars in the field of Lewis Carroll studies, all introduced by Karoline Leach’s edgy foreword, Alice beyond Wonderland considers the literary, imaginative, and cultural influences of Carroll’s 19th-century story on the high-tech, postindustrial cultural space of the twenty-first century. The scholars in this volume attempt to move beyond the sexually charged permutations of the "Carroll myth," the image of an introverted man fumbling into literary immortality through his love for a prepubescent Alice. Contributions include an essay comparing Dantean and Carrollian underworlds, one investigating child characters as double agents in untamed lands, one placing Wonderland within the geometrical and algebraic “fourth dimension,” one investigating the visual and verbal interplay of hand imagery, and one exploring the influence of Japanese translations of Alice on the Gothic-Lolita subculture of neo-Victorian enthusiasts. This is a bold, capacious, and challenging work.
Written from within the best traditions of ecocritical thought, this book provides a wide-ranging account of the spatial imagination of landscape and seascape in literary and cultural contexts from many regions of the world. It brings together essays by authors writing from within diverse cultural traditions, across historical periods from ancient Egypt to the postcolonial and postmodern present, and touches on an array of divergent theoretical interventions. The volume investigates how our spatial imaginations become "wired," looking at questions about mediation and exploring how various traditions compete for prominence in our spatial imagination. In what ways is personal experience inflec...
This collection demonstrates the usefulness of approaching texts—verbal, visual and aural—through a framework of humour. Contributors offer in-depth discussions of humour in the West within a wider cultural historical context to achieve a coherent, chronological sense of how humour proceeds from antiquity to modernity. Reading humorously reveals the complexity of certain aspects of texts that other reading approaches have so far failed to reveal. Humour in the Arts explores humour as a source of cultural formation that engages with ethical, political, and religious controversies whilst acquainting readers with a wide range of humorous structures and strategies used across Western cultures.
This work is a fascinating analysis of a timeless and timely topic. It treats of the monastic fact both phenomenologically and philosophically, reflecting on the contemporary role of monasticism in the acute issue of dialogue among major religions, especially between Buddhism and Christianity. Hardy's approach is refreshingly open to the challenge of religious pluralism; at the same time, it is conscientiously honest in stating the limits of dialogical discourse when it comes to religious truth claims. Monastic Quest and Interreligious Dialogue is at once thought provoking, sobering, and inspiring.
"The Zen way to self-knowledge is a search beyond the fetters of a logical mind toward an understanding of our own true selves. Through meditation techniques and the study of koans--startling paradoxes which cannot be solved by rational thought--a Zen student can achieve calmness, clarity, and concentration which ultimately leads to enlightenment."--
"The Diamond Sutra" is revered throughout Asia as one of the Buddha's most profound expressions of the nature of reality. "Describing the Indescribable" offers a brilliant explanation from a modern Chinese meditation master.
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