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This is a detailed description of the various Sufi orders and movements which entered into the Balkans, the Crimean peninsula and other parts of Eastern Europe following the Ottoman conquests. Many of the Sufis came from Christian societies, principally from an Eastern Orthodox background, but others, such as the Bosnians, from churches that were accused or suspected of heterodoxy of belief and of antinomianism. These beliefs, together with pre-Christian beliefs, influenced by Manicheanism, Dualism and pantheism, left their mark on Sufi Islam. The book concentrates on the Bosnians, Bulgarians, Albanians and Tatars. Their Sufism reflects their national aspirations, and their writings fuse their mysticism, national faith and folklore in a Sufism which is quite distinct from that in other regions of the Muslim world.
This book explores the great diversity and range of Islamic culture through one of the finest collections in the world. Published to coincide with the historic reopening of the galleries of the Metropolitan Museum's Islamic Art Department, it presents nearly three hundred masterworks created in the rich tradition of the Islamic faith and culture. The Metropolitan's renowned holdings range chronologically from the origins of Islam in the 7th century through the 19th century, and geographically from as far west as Spain to as far east as Southeast Asia.
The earliest known Ottoman literary source about the lives and works of calligraphers, painters, limners, and book-binders of the Ottoman and Persianate worlds, Mustafa ʿÂli’s (1541-1600) Epic Deeds of Artists (1587), was hitherto considered to be primarily a biographic dictionary. Based on a comprehensive reading of the descriptive and analytic tools of ʿÂli’s biographical writings as well as his passionately penned personal reflections on sixteenth-century attitudes toward art and artists, this critical edition by Esra Akın-Kıvanç brings to the fore the significance of Epic Deeds not only as a guide to the connoisseurs and aficionados of the time, but also as a fascinating commentary by a prominent intellectual on the spiritual meaning and material value of art.
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Includes entries for maps and atlases.