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Winner of the 1982 National Book Award for Biography, Mornings on Horseback is the brilliant biography of the young Theodore Roosevelt. Hailed as a masterpiece by Newsday, it also won the Los Angeles Times Book Prize for Biography. Now with a new introduction by the author, Mornings on Horseback is reprinted as a Simon & Schuster Classic Edition. Mornings on Horseback is about the world of the young Theodore Roosevelt. It is the story of a remarkable little boy, seriously handicapped by recurrent and nearly fatal attacks of asthma, and his struggle to manhood: an amazing metamorphosis seen in the context of the very uncommon household (and rarefied social world) in which he was raised. His f...
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"There are few sensations I prefer to that of galloping over these rolling limitless prairies, with rifle in hand, or winding my way among the barren, fantastic and grimly picturesque deserts of the so-called Bad Lands." —Theodore Roosevelt He was born a city boy in Manhattan; but it wasn't until he lived as a cattle rancher and deputy sheriff in the wild country of the Dakota Territory that Theodore Roosevelt became the man who would be president. "I have always said I would not have been president had it not been for my experience in North Dakota," Roosevelt later wrote. It was in the "grim fairyland" of the Bad Lands that Roosevelt became acquainted with the ways of cowboys, Native Americans, trappers, thieves, and wild creatures--and it was there that his spirit was forged and tested. In Forging a President, author William Hazelgrove uses Roosevelt's own reflections to immerse readers in the formative seasons that America's twenty-sixth president spent in "the broken country" of the Wild West.
Some vols. also contain reports of cases in the General Court of Virginia.
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The Renaissance woman, whether privileged or of the artisan or the middle class, was trained in the expressive arts of needlework and painting, which were often given precedence over writing. Pens and Needles is the first book to examine all these forms as interrelated products of self-fashioning and communication. Because early modern people saw verbal and visual texts as closely related, Susan Frye discusses the connections between the many forms of women's textualities, including notes in samplers, alphabets both stitched and penned, initials, ciphers, and extensive texts like needlework pictures, self-portraits, poetry, and pamphlets, as well as commissioned artwork, architecture, and in...
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