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After the Fact
After the Fact studies the terrain of Holocaust documentaries subsequent to the turn of the twenty-first century. Until now most studies have centered primarily on canonical films such as Shoah and Night and Fog, but over the course of the last ten years filmmaking practices have altered dramatically. Changing techniques, diminishing communities of survivors, and the public's response to familiar, even iconic imagery, have all challenged filmmakers to radically revise and newly envision how they depict the Holocaust. Innovative styles have emerged, including groundbreaking techniques of incorporating archival footage, survivor testimony, and reenactment. Carrying wider implications for the fields of Film Studies, Jewish Studies, and Visual Studies, this book closely analyzes ten contemporary and internationally produced films, most of which have hardly been touched upon in the critical literature or elsewhere.
Holocaust Testimonies
Close to a time when there will be no more survivors to speak about their suffering, this innovative study takes much-needed stock of the past, present and future of Holocaust testimony. Drawing from a vast range of witness accounts including a never-before-published survivor interview and carefully situating analysis within broader historical and political discourses, this international team of scholars address many pertinent issues of testimony in the post-witness age. These include: questions of representation and testimony form; memory politics and the role of the witness; the legacy of the Holocaust and impact on future generations; the digital turn and issues of access; and gender and testimony in the wake of #MeToo. Stressing the importance of re-assessing, re-contextualizing, and re-presenting testimonies, these essays make a powerful case for the ongoing centrality of witnesses and witnessing in Holocaust research, education and memory. In doing so, Holocaust Testimonies skillfully paves the way for future research with survivor testimonies.
Probing the Ethics of Holocaust Culture
Probing the Ethics of Holocaust Culture is a reappraisal of the controversies that have shaped Holocaust studies since the 1980s. Historians, artists, and writers question if and why the Holocaust should remain the ultimate test case for ethics and a unique reference point for how we understand genocide and crimes against humanity.
A Companion to the Holocaust
Provides a cutting-edge, nuanced, and multi-disciplinary picture of the Holocaust from local, transnational, continental, and global perspectives Holocaust Studies is a dynamic field that encompasses discussions on human behavior, extremity, and moral action. A diverse range of disciplines – history, philosophy, literature, social psychology, anthropology, geography, amongst others – continue to make important contributions to its scholarship. A Companion to the Holocaust provides exciting commentaries on current and emerging debates and identifies new connections for research. The text incorporates new language, geographies, and approaches to address the precursors of the Holocaust and ...
Reframing Holocaust Testimony
“An invaluable resource” for individuals and institutions documenting the experiences of Holocaust survivors—or other historical testimony—on video (Journal of Jewish Identities). Institutions that have collected video testimonies from the few remaining Holocaust survivors are grappling with how to continue their mission to educate and commemorate. Noah Shenker calls attention to the ways that audiovisual testimonies of the Holocaust have been mediated by the institutional histories and practices of their respective archives. Shenker argues that testimonies are shaped not only by the encounter between interviewer and interviewee, but also by technical practices and the testimony process—and analyzes the ways in which interview questions, the framing of the camera, and curatorial and programming preferences impact how Holocaust testimony is molded, distributed, and received.
Flaherty ...
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Michiganensian
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Renew Our Days
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