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This volume brings together essays that, individually and collectively, address the force of the literary text with regard to problematic identities. They work out of shared concerns with literary representations of this issue in different regions, nations and communities that often prove divided; they pursue questions related to textual identity, where the literary text itself is contested internally, or in its generic and historical relations. In sum, these studies actively test identity, as social or literary concept, discovering in difference the very condition of a useful, if paradoxical, sense of personal or textual coherence. What happens to us when we move between different cultures ...
Theories and Practices of Psychoanalysis in Central Europe explores the close relationship between psychoanalysis, psycho-medical discourses, literature, and the visual arts of the late 1800s and early 1900s in Central Europe. Agnieszka Sobolewska addresses the issue of theories and practices of psychoanalysis in Central Europe and the need to undertake interdisciplinary reflection on the specificity of psychoanalytic literary genres and fin-de-siècle psycho-medical discourses. With a focus on the circulation of Freudianism in the territories of present-day Austria, Hungary, the Czech Republic, Poland, and Germany, the book considers the creative transformations that psychoanalytic thought ...
This volume provides a transnational study of the impact of musical cultures in the Eastern Baltics—Lithuania, Latvia, Poland, and Russia—at the end of the Cold War and in the early post-Communist period. Throughout the book, the contributors explore and conceptualize transnational musical collaboration and the diffusion of information, people, and ideas focusing on musical activity which shaped the moral and artistic outlook of several generations. The volume sheds light on the transformative power of politically and socially engaged music and offers a deeper understanding of the artistic potential of societies and its impact on social and political change.
For many Central-European countries, the inter- and post-war periods marked the beginning of their statehood and entailed the laying of the foundations for literary language itself. Experimental tendencies became a laboratory of bold and ambiguous visions of the world, inspiring many artists to join in the process of rebuilding their communities. Unlike other parts of the world, in Poland experiments thus conceived were not just about contesting bourgeois habits and forms, or testing the boundaries of social and aesthetic conventions. On the contrary, revolutionary-oriented circles supported the building of new centres of intellectual life, joined the cultural mainstream in the broadest possible sense, and, with time, became an important point of reference for the entire panorama of literary and artistic life.
The book explores the neglected role and social dynamics of informal communication – interpersonal channels not controlled ‘from above’ – in the region of Upper Silesia under the German occupation during the Second World War (1939–1945). Whereas the classic dichotomies, such as private-public and formal-informal, have been widely explored and discussed in the humanities, the main focus of this volume lies in the reconstruction of the information landscape of wartime and its deployment by families, co-workers, neighbours, and other social groups. Through the prism of personal stories, the book analyses functions and forms of informal communication that existed in a contextual and ephemeral way such as gossip, rumours, and workers’ conversations, offering an interdisciplinary perspective on everyday life during this period. Informal Communication and Occupation in the Polish Borderlands is primarily aimed at scholars of contemporary history, social history, and Eastern European history, while its important lens as a study of fake news and misinformation in modern times will also be engaging to undergraduate classrooms and general readers.
Autosociobiography, a term coined by nobel-prize winner Annie Ernaux, is recognized as a productive literary phenomenon at the intersection of literary representation, social analysis and political commentary. The contributors to this volume trace the global entanglements of autosociobiographical texts, especially the historical, social and transcultural dynamics they discuss, represent and perform. They critically engage with the question of how to expand the scope of autosociobiography beyond its current corpus and class narratives to include other forms of social exclusion and stratification.
In a world where physical labour seems to disappear from dominant public narratives, Embodied Labour offers an in-depth, interdisciplinary analysis of the bodily experiences of work and their significance as elements of European cultural heritage. This collection examines the physical dimension of labour across various European locations – from Estonian oil shale mines, through Norwegian ironworks, to State Agricultural Farms in Poland. Together, the chapters explore how the rhythms of physical labour shaped landscapes, identities, and communities, whilst also addressing issues of representation in museums, literature, and art, and the challenges of conveying bodily experiences to contempo...
Being Poland offers a unique analysis of the cultural developments that took place in Poland after World War One, a period marked by Poland's return to independence. Conceived to address the lack of critical scholarship on Poland's cultural restoration, Being Poland illuminates the continuities, paradoxes, and contradictions of Poland's modern and contemporary cultural practices, and challenges the narrative typically prescribed to Polish literature and film. Reflecting the radical changes, rifts, and restorations that swept through Poland in this period, Polish literature and film reveal a multitude of perspectives. Addressing romantic perceptions of the Polish immigrant, the politics of post-war cinema, poetry, and mass media, Being Poland is a comprehensive reference work written with the intention of exposing an international audience to the explosion of Polish literature and film that emerged in the twentieth century.