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This book addresses the Lusophone Black Atlantic as a space of historical and cultural production between Portugal, Brazil, and Africa. The authors demonstrate how it has been shaped by diverse colonial cultures including the Portuguese imperial project. The Lusophone context offers a unique perspective on the history of the Atlantic.
Iberian Books II & III presents an indispensable foundational listing of everything known to have been published in Spain, Portugal and the New World, or of items printed in Spanish or Portuguese elsewhere, during the first half of the seventeenth century. Drawing on library catalogues, specialist bibliographies and studies, as well as auction catalogue records, Iberian Books lists 45,000 items, and the locations of some 215,000 copies surviving in 1,800 collections worldwide. These volumes offer a powerful research tool which will appeal to researchers, librarians and to the book selling and collecting communities. They will prove invaluable to anyone with a research interest in the literat...
This volume of collected articles is the first to focus exclusively on the history of homosexuality in the Portuguese-speaking world. Of the thirteen studies included, nine make available for the first time in English the work of eminent Luso-Brazilian historians, including no less than three by the preeminent researcher in the field, Professor Luiz Mott of the Federal University of Bahia. Two others analyze in detail the first novels, The Baron of Lavos in Portugal and Bom-Crioulo in Brazil--both written in the 1890s--that portray a homosexual relationship in a frankly realistic way. The collection should serve as essential reading for courses in Portuguese and Brazilian social history.
While Alzheimer's might be associated with a difficulty to express oneself, Ana Paula Barbosa-Fohrmann addresses this topic by examining experiences with Alzheimer's based on narratives. In this original contribution, she studies the nexus of life stories, subjectivity, fragmentation, and fiction. The philosophical basis of this research is phenomenology from the end of the 19th century to the middle of the 20th century, specifically that of Husserl and above all that of Merleau-Ponty. This work also draws on Proust's and Camus' literature as well as Beckett's dramaturgy.