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Imitations of Life
On melodrama.
The Novel
The Novel: An Anthology of Criticism and Theory1900–2000 is a collection of the most influentialwritings on the theory of the novel from the twentiethcentury. Traces the rise of novel theory and the extension of itsinfluence into other disciplines, especially social, cultural andpolitical theory. Broad in scope, including sections on formalism; the ChicagoSchool; structuralism and narratology; deconstruction;psychoanalysis; Marxism; social discourse; gender;post-colonialism; and more. Includes whole essays or chapters wherever possible. Headnotes introduce and link each piece, enabling readers todraw connections between different schools of thought. Encourages students to approach theoretical texts withconfidence, applying the same skills they bring to literarytexts. Includes a volume introduction, a selected bibliography, anindex of topics and short author biographies to support study.
Reinventions of the Novel
The history of the novel is a story of perpetual change, so that its identity still remains open to question. The sixteen articles in this book investigate connections, differences and similarities in the novel around the world for the past three hundred years. Rather than searching for the essence of the genre, they look for the formal and thematic patterns on which the novel thrives, considering such matters as tradition and modernity, realism, rhetoric and identity, tableau and spatiality, and wondering whether epic and avant-garde are not quite contradictory terms. Close readings combined with historical overviews and theoretical discussions open up new constellations in the history of the novel. Untraditional cross-readings are made between Rabelais and Jens Peter Jacobsen and between Balzac and Nicholson Baker. Transformations of traditional modes of epic, biography and Bildung are traced as far as Georges Perec and Gunter Grass."
The Gambling Act 2005
High street betting shops and casinos alike are currently allowed a maximum of four B2 (FOBT) gaming machines, which allow stakes up to £100 and a £500 prize. Casinos, should instead be permitted to operate up to twenty B2-type gaming machines. Limiting the number of B2 machines in betting shops has encouraged them to cluster in some high streets in order to satisfy customer demand. Local Authorities should have the power to permit more than the four B2 machines per shop if they believe it will help with clustering. The Committee also recommends that any local authority be able to make the decision as to whether or not they want a casino. As a step towards this, existing 1968 Act Casino li...
Victoriana - Histories, Fictions, Criticism
A series of astute critical reflections on our enduring fascination with all things Victorian. In this book Cora Kaplan looks at the politics of Victorians from the 1970s to the present, a politics that emerges from the alternation between nostalgia and critique in fiction, film, biography and literary studies. She asks how Jane Eyre can still evoke tears and rage, as well as inspiring imitation and high art, and why Henry James has become fiction's favourite late Victorian character in the new millennium? Victorians, the book argues, has developed a modern history of its own in which we can trace the shifting social and cultural concerns of the last few decades. Through the constant interrogation of history in such innovative works as John Fowles's The French Lieutenant's Woman, A.S. Byatt's Possession, David Lodge's Nice Work, Peter Ackroyd's Dickens, Jane Campion's The Piano, Colm Toibin's The Master, Sarah Waters's Fingersmith, Alan Hollinghurst's The Line of Beauty and Julian Barnes's Arthur and George, 'Victoriana' maps out a very particular postmodern temporality.
Seduced by Story
In this spiritual sequel to his influential Reading for the Plot, Peter Brooks examines the dangerously alluring power of storytelling. “There’s nothing in the world more powerful than a good story. Nothing can stop it. Nothing can defeat it.” So begins the scholar and literary critic Peter Brooks’s reckoning with today’s flourishing cult of story. Forty years after publishing his seminal work Reading for the Plot, his important contribution to what came to be known as the “narrative turn” in contemporary criticism and philosophy, Brooks returns to question the unquestioning fashion in which story is now embraced as an excuse or explanation and the fact that every brand or politician comes equipped with one. In a discussion that ranges from The Girl on the Train to legal argument, Brooks reminds us that among the powers of narrative is the power to deceive.
