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"In her engaging SF novel, Grace Agnew offers a dual mother-son perspective that allows for thoughtfully complex explorations. Agnew is a skilled worldbuilder who pays attention to details, enriching the story. This is a tough-minded, compelling tale of how post-apocalyptic humans might find renewal." —Kirkus Review There is no armageddon. The end is simpler than that, and sadder, because mankind was warned. People just kept piling on, polluting, depleting the water supply, over populating, until the earth simply gave up. Miranda and her son Alex are among the lucky ones, living in a controlled city that recreates everything they lost. It's not enough for Alex, who escapes to join his father and a chance for real life in an outside city. Miranda has no choice but to follow. City of the South is dirty and dangerous, more trash heap than fortress. Desperate people will do or trade anything for water and a mouthful of food. Neither city has the answers, but the planet may have answers of her own. Can Miranda, Alex, and the human race follow Earth's own answer for survival, or is it just too late?
In this highly acclaimed book, Ospovat shows that Darwin's views changed radically from his first formulation of evolution to the publication of the full theory in 1859.
Evolution Education and the Rise of the Creationist Movement in Brazil examines how larger societal forces such as religion, media, and politics have shaped Brazil’s educational landscape and impacted the teaching and learning of evolution within an increasingly polarized discourse in recent years. To this end, Alandeom W. Oliveira and Kristin Cook have assembled a number of educational scholars and practitioners, many of whom are based in Brazil, to provide up-close and in-depth accounts of classroom-based evolution instruction, teacher preparation programs, current educational policies, and commonly used school curricula. Contributors also present information on Brazilian teachers’ and...
Recovering the forgotten discipline of Natural Philosophy for the modern world This book argues for the retrieval of 'natural philosophy', a concept that faded into comparative obscurity as individual scientific disciplines became established and institutionalized. Natural philosophy was understood in the early modern period as a way of exploring the human relationship with the natural world, encompassing what would now be seen as the distinct disciplines of the natural sciences, mathematics, music, philosophy, and theology. The first part of the work represents a critical conversation with the tradition, identifying the essential characteristics of natural philosophy, particularly its empha...
With an Afterword by Theodore Koditschek A number of important developments and discoveries across the British Empire's imperial landscape during the nineteenth century invited new questions about human ancestry. The rise of secularism and scientific naturalism; new evidence, such as skeletal and archaeological remains; and European encounters with different people all over the world challenged the existing harmony between science and religion and threatened traditional biblical ideas about special creation and the timeline of human history. Advances in print culture and voyages of exploration also provided researchers with a wealth of material that contributed to their investigations into humanity’s past. Historicizing Humans takes a critical approach to nineteenth-century human history, as the contributors consider how these histories were shaped by the colonial world, and for various scientific, religious, and sociopolitical purposes. This volume highlights the underlying questions and shared assumptions that emerged as various human developmental theories competed for dominance throughout the British Empire.
List of members in each volume.
Darwin's Screens addresses a major gap in film scholarship—the key influence of Charles Darwin's theories on the history of the cinema. Much has been written on the effect of other great thinkers such as Freud and Marx but very little on the important role played by Darwinian ideas on the evolution of the newest art form of the twentieth century. Creed argues that Darwinian ideas influenced the evolution of early film genres such as horror, the detective film, science fiction, film noir and the musical. Her study draws on Darwin's theories of sexual selection, deep time and transformation, and on emotions, death, and the meaning of human and animal in order to rethink some of the canonical arguments of film and cinema studies.