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“10×10 Japanese Photobooks is a sushi counter of information about the Japanese photo books published in the last 60 years: 20 international specialists each highlight 10 titles, one of which is then given an expanded treatment—including enough pictures to give a sense of what the work is actually like. Photo books have been an important aspect of Japanese culture since the end of World War II, documenting the country’s seismic social transformations, and most of the country’s best known photographers— Daido Moriyama, Nobuyoshi Araki, Eikoh Hosoe, Hiroshi Sugimoto —are represented. The advantage of this extensive listing is that many little known artists are also on view.” —The Wall Street Journal Published in association with the traveling 10x10 Japanese Photobooks Reading Room.
In response to widespread demand for more knowledge and insight about contemporary photographies beyond Western centers of production and dissemination, this volume provides a transnational discussion, grounded in dialogue between authors and editors from diverse locations and contexts. Ecological and decolonial discourses around photography reveal the medium’s global entanglements: images produced on one side of the globe are the result of labors which span its full surface. At the same time, the multiplicity of approaches and understandings of the photograph reveal that, even though it might seem like a universal language, we utilize its tools to radically different ends. The volume expl...
During the 1960s and 70s in Japan, the photobookthrough a combination of excellence in design, printing, and materialsovertook prints as a popular mode of artistic dissemination. This process has expanded to an extent where any discussion of Japanese photography now has to include the book work. Today, the most famous workssuch as Nobuyoshi Arakis Sentimental Journey and Eikoh Hosoes Man and Womancontinue to inspire artists internationally. Japanese Photobooks of the 1960s and 70s presents forty definitive publications from the era, piecing together an otherwise invisible history that has played out in tandem with photography as a medium. Included are some of the most influential works along with forgotten gems, placed within a larger historical and sociological context. Each book, beautifully reproduced through numerous spreads, is accompanied by an in-depth explanatory text and sidebars highlighting important editors, designers, themes, and periodicals. Lavishly produced, this unique publication is an ode to the distinct character and influence of the Japanese photobook.
Chapters on Asia features selected papers written by scholars who have been awarded the National Library’s Lee Kong Chian Research Fellowship. These works examine the history and heritage of Singapore and the region, and contain fresh research based on materials and resources from the collections of the National Library and National Archives of Singapore.
Here's a book that for the first time collects and catalogues all Gabriele Basilico's photo books, from 1978 to 2006: over twenty years of career. Every book is presented with its original cover, bibliographic data and a photo taken from the interiors. Page by page, photo by photo, the reader will discover the richness and variety of matters in Basilico's photos: Milanese suburbs in the last Seventies, dancing halls in Emilia, industries, ports and finally Beirut in early Nineties and the new soul of Berlin. This book is a useful way for scholars but also for simple lovers of good photography to make a point about the career of a photographer that has built our perception of contemporary landscape. With an introduction by Italo Rota and a comment by Gabriele Basilico.
This timely text/reference presents the latest advances in various aspects of social media modeling and social media computing research. Gathering together superb research from a range of established international conferences and workshops, the editors coherently organize and present each of the topics in relation to the basic principles and practices of social media modeling and computing. Individual chapters can be also be used as self-contained references on the material covered. Topics and features: presents contributions from an international selection of preeminent experts in the field; discusses topics on social-media content analysis; examines social-media system design and analysis, and visual analytic tools for event analysis; investigates access control for privacy and security issues in social networks; describes emerging applications of social media, for music recommendation, automatic image annotation, and the analysis and improvement of photo-books.
Understanding Photobooks is a user-friendly guide to engaging with the photographic book— or, as it is widely known, the photobook. Despite its importance as a central medium in which many photographers showcase their work today, there is surprisingly little information on the mechanics of the photobook: what exactly it does and how it does it. Written for makers and artists, this book will help you develop a better understanding of the images, concept, sequence, design, and production of the photobook. With an awareness of the connections between these elements, you’ll be able to evaluate photobooks more clearly and easily, ultimately allowing for a deeper and more rewarding experience of the work.
10×10 American Photobooks, an inventive Japanese manga design-inspired bilingual (Japanese-English) publication, documents 200 contemporary American photobooks. As a comprehensive overview of the 10×10 American Photobooks touring reading room and online project, it presents 20 illustrated selection lists from photobook specialists, along with essays on American photobook culture by noted artists, writers, publishers, curators and bibliophiles.
Since the turn of the millennium, the analogue photo book has experienced an international boom, developing into its own art form: a kind of visual literature, somewhere between novel and film. More and more often, photographers are publishing their works in this format rather than only as part of exhibitions. However, the photo book as an art form is hardly known to a wider public. The multiyear project?Welt im Umbruch? (World in Transition), which the Montag Stiftung initiated together with the PhotoBookMuseum, made one attempt to change this. In Rostock, Duisburg, and Kassel, members of the public were able to get to know photobooks as an artistic form of expression and to design photoboo...