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Wells argues that the victory song is a traditional art form that appealed to a popular audience and served exclusive elite interests through the inclusive appeal of entertainment, popular instruction, and laughter. Wells offers a new take on old Pindaric questions: genre, unity of the victory song, tradition, and epinician performance.
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Study of classical Greek poet and the ode form in Western tradition. Assumes no knowledge of specialist literature and includes translations.
Olympian Nine celebrates the wrestling victory in 468 of Epharmostus of Opous. Although one of PindarAes longer odes, it has received less scholarly attention than others of comparable size. The present commentary fills this gap. A significant portion of the ode is devoted to EpharmostusAe previous victories and an appendix analyses how victory catalogues are treated elsewhere by Pindar as well as by Bacchylides and agonistic epigrams. "There are a thousand things to treasure here; details are a steep path and require too much discussion to give a sense of the whole. IAell put it simply: Gerber makes hard scholarship look easy. The wise will store up against future need." Classical World