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Debating English Music in the Long Nineteenth Century
Situates the controversial narrative of 'The English Musical Renaissance' within its wider historical context.
Musicians of Bath and Beyond
Index of Edward Loder's compositions -- General Index
Conductors in Britain, 1870-1914
Frontcover -- Contents -- List of Illustrations -- List of Tables -- Acknowledgements -- Editorial Note -- Abbreviations -- Introduction -- 1 The Context: Conductors in the British Marketplace (1870-1914) -- 2 Conducting the Philharmonic Societies of Liverpool and London (1867-1880s): Julius Benedict and William Cusins -- 3 Conducting the Royal Choral Society and the Leeds Festival (1880s-1890s): Joseph Barnby and Arthur Sullivan -- 4 Conducting the Philharmonic Society of London (1888-1900s): Frederic Cowen and Alexander Mackenzie -- 5 Conducting in Bournemouth, London and Birmingham (1890s-1914): Dan Godfrey Junior and Landon Ronald -- Conclusion -- Select Bibliography -- Index
Bach, Handel and Scarlatti
The music of Johann Sebastian Bach, George Frederic Handel and Domenico Scarlatti received more performances, publications and appreciation in Britain between 1750–1850 than in any other country during this era. The compositions of these three seminal baroque composers were heard in the numerous public and private concerts that proliferated at this time; edited, arranged and published for professionals and amateurs; written about by scholars and journalists; and used as teaching pieces and in pedagogical treatises. This Element examines the reception of their music during this dynamic period in British musical history, and places the discussion within the context of the artistic, cultural, economic, and political factors that stimulated such passionate interest in 'ancient music.' It also offers a vivid picture of the aesthetic concerns of those musicians and audiences involved with this repertoire, providing insights that help us better understand our own encounters with music of the past.
A.F.C. Kollmann's Quarterly Musical Register (1812)
A.F.C. Kollmann (1756-1829) was born in Germany and moved to London in 1782, where he was organist and schoolmaster of His Majesty's German Chapel. He was one of the most profound music theorists of his time, and a pioneer in introducing Bach's music to England. His most extensive effort to inform the public about developments in the whole field of music was The Quarterly Musical Register--the first number of which is dated 1 January 1812. The journal folded after its second number. Only eight copies of the first number and six of the second appear to be extant. This book reproduces in facsimile both numbers, and presents new information about Kollmann's life and works.
The Music Profession in Britain, 1780-1920
Professionalisation was a key feature of the changing nature of work and society in the nineteenth century, with formal accreditation, registration and organisation becoming increasingly common. Trades and occupations sought protection and improved status via alignment with the professions: an attempt to impose order and standards amid rapid social change, urbanisation and technological development. The structures and expectations governing the music profession were no exception, and were central to changing perceptions of musicians and music itself during the long nineteenth century. The central themes of status and identity run throughout this book, charting ways in which the music profess...
Only Dad
According to their friends, Tom and Pippa Drummond have the perfect existence - a great lifestyle, a lively marriage, and a great kid in Tally. In their late thirties, living in a converted barn on the edge of the Sussex Downs, Tom is a partner in 'The Pelican', a restaurant in Axbury Minster, and Pippa, after a short career as a cook, grows herbs for sale locally and brings up sixteen-year-old Tally - a lively blonde with her head screwed firmly on to her shoulders. A rare summer holiday is planned - an idyllic retreat in the Italian hills. Tom takes time off from the restaurant, Pippa leaves her herbs in the charge of a dotty neighbour, and Tally takes a break from the two men in her life - fast-living Alex and the plodding, persevering 'Blip'. Tuscany is everything they hoped it would be - cicadas in the trees, the scent of sage and citrus and suppers under the stars. But their joy is short lived. Overnight their lives, their circumstances, their very identities are suddenly altered, and life will never be the same again. From being the envy of their friends, the Drummonds are plunged into a world that nobody would wish upon them.
Notes for Violists
Notes for Violists offers key historical and analytical information about thirty-five of the best-known pieces written for viola. Its engaging prose, detailed analytical charts, and rich contextual and theoretical insights make it an indispensable guide for professional, amateur, and student violists.
The Decline of the English Musician, 1788-1888
The century of English musical history covered here is notorious for its failure of creativity, yet the concurrent obsession with music as a commodity belies the notion of England as "the land without music." This book is a social history of music at that time. It focuses on the Castells, a family of English musicians in Ireland, England, Mauritius and Australia over five generations. Drawn from personal letters and documents, their story, at once picaresque and tragic, is fascinating in its own right; but in its pattern of ambition, frustration and decline, it is also representative of the English musical profession.
