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The Cambridge Companion to Theatre History
A wide-ranging set of essays that explain what theatre history is and why we need to engage with it.
The Art and Occupation of Stage Design in Finnish Theatres
This study explores the formation, establishment, expansion, and disintegration of stage design as a modern profession and a recognized artform in Finnish theatres. Drawing on oral or written recollections and thoughts of stage designers from different decades, the author asks how their artistic agencies, occupational identities, and theoretical self-understanding have been constituted. She analyses Finnish theatre history from new perspectives by shifting the focus from finished performances to largely unknown practices behind the scenes. This book examines the cultural institutions that have constituted the stage designers’ role and position, like the professional city theatre system, th...
Modern Drama by Women 1880s-1930s
Modern Drama by Women 1880s-1930s offers the first direct evidence that women playwrights helped create the movement known as Modern Drama. It contains twelve plays by women from the Americas, Europe and Asia, spanning a national and stylistic range from Swedish realism to Russian symbolism. Six of these plays are appearing in their first English-language translation. Playwrights include: * Anne-Charlotte Leffler Edgren (Sweden) * Amelai Pincherle Rosselli (Italy) * Elsa Berstein (Germany) * Elizabeth Robins (Britain) * Marie Leneru (France) * Alfonsina Storni (Argentina) * Hella Wuolijoki (Finland) * Hasegawa Shigure (Japan) * Rachilde (France) * Zinaida Gippius (Russia) * Djuna Barnes (USA) * Marita Bonner (USA) This groundbreaking anthology explodes the traditional canon. In these plays, the New Woman represents herself and her crises in all of the styles and genres available to the modern dramatist. Unprecedented in diversity and scope, it is a collection which no scholar, student or lover of modern drama can afford to miss.
Finland's Holocaust
Finland's Holocaust considers antisemitism and the figure of the Holocaust in today's Finland. Taking up a range of issues - from cultural history, folklore, and sports, to the interpretation of military and national history - this collection examines how the writing of history has engaged and evaded the figure of the Holocaust.
Finnish-German Yearbook of Political Economy, Volume 3
Beiträge: Christian Jokinen, Germany’s Revolutionizing Strategies in 1914-1918 and the Secret Comrades-in-arms of the Finnish Jäger * Vesa Vares, The Kingdom That Never Was: Germany, Finland, and the Finnish Monarchist Project of 1918 * Detlev Pleiss, Finnish Soldiers Facing Fehrbellin: The Battle of Rathenow * Pirkko Koski, Hella Wuolijoki, Bertolt Brecht, and Multi-layered National Identity* Timo Airaksinen, Socrates Meets the Crocodile, or The Ironies of Brecht’s and Wuolijoki’s Herr Puntila und sein Knecht Matti * Klaus Reichel, Summer 1940 in Iitti: Hella Wuolijoki and Bertolt Brecht, *Judith Köbler*, Mirroring Society through the Constitutional Lens: Finland and Germany
Continuum Companion to Twentieth Century Theatre
International in scope, this book is designed to be the pre-eminent reference work on the English-speaking theatre in the twentieth century. Arranged alphabetically, it consists of some 2500 entries written by 280 contributors from 20 countries which include not only top-level experts, but, uniquely, leading professionals from the world of theatre. A fascinating resource for anyone interested in theatre, it includes: - Overviews of major concepts, topics and issues; - Surveys of theatre institutions, countries, and genres; - Biographical entries on key performers, playwrights, directors, designers, choreographers and composers; - Articles by leading professionals on crafts, skills and disciplines including acting, design, directing, lighting, sound and voice.
Reflections on Beckett
Renowned international scholars offer perspectives on one of the world's most challenging playwrights
Portraits of Courage
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National Union Catalog
Includes entries for maps and atlases.
Performative Histories, Foundational Fictions
Anu Koivunen analyses the historicity as well as the intertextuality and intermediality of film reception by focusing on a cycle of Finnish family melodrama and its key role in thinking about gender, sexuality, nation, and history. Koivunen argues that the Niskavuori films have mobilised readings in terms of history and memory, feminist nationalism and men's movement, left-wing allegories and right-wing morality as well as realism and melodrama.
