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The gradual increase of population and the consequential rise in the energy demands in the recent years have led to the overwhelming use of fossil fuels. Hydrogen has recently gained substantial interest because of its outstanding features to be used as clean energy carrier and energy vector. Moreover, hydrogen appears to be an effective alternative to tackle the issues of energy security and greenhouse gas emissions given that it is widely recognized as a clean fuel with high energy capacity. Hydrogen can be produced by various techniques such as thermochemical, hydrothermal, electrochemical, electrolytic, biological and photocatalytic methods as well as hybrid systems. New Dimensions in Pr...
The world’s largest economies have set clear development plans for hydrogen energy. From an Economy, Energy, and Environment (3E) point of view, hydrogen energy can be considered an ideal technology for enabling the energy transition from fossil fuels, restructuring energy systems, securing national energy sources, accelerating carbon neutralization, and driving the development of technologies and industry. Green hydrogen production by water electrolysis is the key for hydrogen energy, and this book offers urgently needed guidance on the most important scientific fundamentals and practical applied technologies in this field. This book: • Details materials, electrochemistry, and mechanics. • Covers ALK, PEM, AEM, and SOEC water electrolysis, including fundamentals and applications. • Addresses trends, opportunities, and challenges. This comprehensive reference is aimed at engineers and scientists working on renewable and alternative energy to meet global energy demands and climate action goals.
Based on over a decade of ethnographic fieldwork in the South Indian state of Tamil Nadu, Onscreen/Offscreen is an exploration of the politics and being of filmic images. The book examines contestations inside and outside the Tamil film industry over the question "what is an image?" Answers to this question may be found in the ontological politics that take place on film sets, in theatre halls, and in the social fabric of everyday life in South India, from populist electoral politics and the gendering of social space to caste uplift and domination. Bridging and synthesizing linguistic anthropology, film studies, visual studies, and media anthropology, Onscreen/Offscreen rethinks key issues across a number of fields concerned with the semiotic constitution of social life, from the performativity and ontology of images to questions of spectatorship, realism, and presence. In doing so, it offers both a challenge to any approach that would separate image from social context and a new vision for linguistic anthropology beyond the question of "language."
Singapore has been taken by many researchers as a fascinating living language policy and planning laboratory. Language and education policy in Singapore has been pivotal not only to the establishment and growth of schooling, but to the very project of nation building. Since their inception, ‘mother tongue’ policies have been established with two explicit goals. Firstly there is the development and training of human and intellectual capital for the expansion and networking of a Singaporean service and information economy. Secondly there is the maintenance of cultural heritage and values as a means for social cohesion and, indeed, the maintenance of community and regional social capital. These tasks have been fraught with tension and contradiction, both in relation to the conditions of rapid cultural, economic and political change in Asia and globally, but as well because of the tensions between the so called ‘world language English’ and Singapore’s three other official languages, Tamil, Malay and Mandarin. This has been complicated, of course, by the challenges of vibrant regional dialects and the emergence of Singlish as a powerful medium of community life.
In Doing Style, Constantine V. Nakassis explores the world of youth and mass media in South India, where what Tamil youth call “style” anchors their day-to-day lives and media worlds. Through intimate ethnographic descriptions of college life in Tamil Nadu, Nakassis explores the complex ways that acts and objects of style such as brand fashion, English slang, and film representations express the multiple desires and anxieties of this generation, who live in the shadow of the promise of global modernity. As Nakassis shows, while signs of the global, modern world are everywhere in post-liberalization India, for most of these young people this world is still very distant—a paradox that re...
Selected, peer reviewed papers from the National Conference on EVOLUTION OF GREEN ENERGY AND VEHICLE TECHNOLOGY, March 2-3, 2015, Sriperumbudur, India