Welcome to our book review site www.go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Onscreen/Offscreen
Based on over a decade of ethnographic fieldwork in the South Indian state of Tamil Nadu, Onscreen/Offscreen is an exploration of the politics and being of filmic images. The book examines contestations inside and outside the Tamil film industry over the question "what is an image?" Answers to this question may be found in the ontological politics that take place on film sets, in theatre halls, and in the social fabric of everyday life in South India, from populist electoral politics and the gendering of social space to caste uplift and domination. Bridging and synthesizing linguistic anthropology, film studies, visual studies, and media anthropology, Onscreen/Offscreen rethinks key issues across a number of fields concerned with the semiotic constitution of social life, from the performativity and ontology of images to questions of spectatorship, realism, and presence. In doing so, it offers both a challenge to any approach that would separate image from social context and a new vision for linguistic anthropology beyond the question of "language."
Doing Style
Doing style -- Brand and brandedness -- Brandedness and the production of surfeit -- Style and the threshold of English -- Bringing the distant voice close -- College heroes and film stars -- Status through the screen -- Media's entanglements.
Ordinary Literature Philosophy
The first extended Lacanian reading of J. L. Austin's ordinary language philosophy, this book examines how it has been received in the continental tradition by Jacques Derrida and Judith Butler, Jacques Rancière and Oswald Ducrot. This is a tradition that neglects Austin's general speech act theory on behalf of his special theory of the performative, whilst bringing a new attention to the literary and the aesthetic. The book charts each of these theoretical interactions with a Lacanian reading of the thinker through a case study. Austin, Derrida and Butler are respectively read with a Hollywood blockbuster, a Shakespearean bestseller and a globally influential May '68 poster – texts preoc...
Throw Your Voice
Throw Your Voice is a story of loss and recovery. It relates how children placed in a temporary care institution make sense of their situations. Moving between a Kazakhstan government children's home, Hope House, and the Almaty State Puppet Theater, Meghanne Barker shows how children, and puppets, as proxies, bring to life ideologies of childhood and visions of a rosy future. Sites and stories run in parallel. Framed by the narrative of Anton Chekhov's "Kashtanka," about a lost dog taken in by a kind stranger, the author follows the story's staging at the puppet theater. At Hope House, children find themselves on a path similar to Kashtanka, dislodged from their first homes to reside in a second. The heart of this story is about living in displacement and about the fragile intimacies achieved amidst conditions of missing. Whether due to war, migration, or pandemic, people get separated from those closest to them. Throw Your Voice examines how strangers become familiar, and how objects mediate precarious ties. She shows how people use fantasy to mitigate loss.
The Performativity of Value
The Performativity of Value: On the Citability of Cultural Commodities addresses the increased commodification of language in the U.S. cultural economy. The marketing of cultural commodities in formats such as websites, videos, movies, books, online games, or television episodes—as distributed across a wide range of technological devices—means that language is moving across situational contexts to an unprecedented degree. Just as authors quote or paraphrase sources in the construction of a text, subjects “cite” the commodified words, images, and works of others as they construct their social identities. Steve Sherlock discusses how consumer citational practices generate demand for th...
Devotional Fanscapes
Devotional Fanscapes: Bollywood Star Deities, Devotee-Fans, and Cultural Politics in India and Beyond examines how fans worship film stars as deities. Focusing on temples dedicated to Bollywood (Hindi cinema) stars and the artifacts produced by Hindi and Tamil cinema fans, Shalini Kakar illustrates how the fan constructs their identity as a devotee and that of the star as a deity. Extending her research from India to the US, Kakar highlights the transnational dimensions of this phenomenon to demonstrate the degree to which devotional fan practices (fan-bhakti) and fan artifacts can help us rethink art, religion, and politics. With its interdisciplinary approach, this book addresses how fan-bhakti is performed in the global landscape, in the process augmenting new religious models and identities based on the idea of the “cinematic sacred.” For more information, check out www.sacredfandom.com.
Language in Culture
Language enables us to represent our world, rendering salient the identities, groups, and categories that constitute social life. Michael Silverstein (1945–2020) was at the forefront of the study of language in culture, and this book unifies a lifetime of his conceptual innovations in a set of seminal lectures. Focusing not just on what people say but how we say it, Silverstein shows how discourse unfolds in interaction. At the same time, he reveals that discourse far exceeds discrete events, stabilizing and transforming societies, politics, and markets through chains of activity. Presenting his magisterial theoretical vision in engaging prose, Silverstein unpacks technical terms through myriad examples – from brilliant readings of Marcel Marceau's pantomime, the class-laced banter of graduate students, and the poetics/politics of wine-tasting, to Fijian gossip and US courtroom talk. He draws on forebears in linguistics and anthropology while offering his distinctive semiotic approach, redefining how we think about language and culture.
