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Contributed articles.
Voyages of Body and Soul: Selected Female Icons of India and Beyond includes scholarly essays and performance/choreographic notes from a diverse range of contributors on the themes of “Mad and Divine: India’s Female Saint-Poets” and “Epic Women of India and Beyond.” The contributors explore the tendency of patriarchal societies to label exceptional saint-poets yearning for the divine as “mad” because of their resistance to normative and acceptable female behavior. Scholars and performers journey across history, with discussions ranging from the 8th century Tamil mystic poet Andal’s divine poetry, to the 16th century saint-poet Meerabai, to figures across the Indian subcontine...
English literature in India is linked with the works of writers of the Indian diaspora born in India but residing elsewhere. A pioneer was Raja Rammohan Roy; poets were Henry Vivian Derozio, Madhusudan Dutt, Aru and Toru Dutt, and Manmohan Ghose. Indian literature in English actually dates back to the 1830s to Kashiprasad Ghosh, who is considered the first Indian poet write in English.
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Fictional literature, when enkindled with spiritual ideas, creates an appeal that transcends time and place. This has been the case with many literary works produced in India and other parts of the world, and this is so even in our modern times characterized by consumerist culture that hardly sees below the surface of things. A compilation from ‘Prabuddha Bharata’, this book presents to the readers, through a series of articles, a systematic record of some of those writers who added the spiritual dimension to their fictional works in India and the Americas. Published by Advaita Ashrama, a publication house of Ramakrishna Math, Belur Math
Lexicon of Tamil Literature is a reference-dictionary of Tamil literature of South India from its early beginnings more than 2000 years ago until the present time (ca. 1980). It includes in the order of Roman alphabet names and short biographies of authors, lists of their works, anonymous literary works and most important matters of Tamil prosody, rhetoric and poetics. Whenever available, bibliographic data are given with individual entries in selection. Brief contents and evaluative statements are given with literary works of greater importance, whether ancient or modern. An introduction is included. The work is the first of its kind in a non-Indian language. It is an indispensable source of data and work of reference for Tamil literature in particular, and for the totality of Indic literatures in general.
"Regardless of terminology, the use of padya and gadya in Telugu literary works is invariably linked to Nannaya (early to mid-11th century), traditionally considered the first poet of Telugu literature. The style that Nannaya inaugurated in his Telugu retelling of the Mahābhārata is regarded as the paradigm for later poets. His mixing of padya and gadya-an element not present in the Sanskrit Mahābhārata-became the preferred mode of poetic composition, even when translating a Sanskrit counterpart that used padya exclusively"--