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D.H. Lawrence's Border Crossing
First Published in 2007. Routledge is an imprint of Taylor & Francis, an informa company.
The History of British Women's Writing, 1880-1920
The ranks of English women writers rose steeply in the late 19th and early 20th centuries, contributing to the era’s revolutionary social movements as well as to transforming literary genres in prose and poetry. The phenomena of ‘the new’ — ‘New Women’, ‘New Unionism’, ‘New Imperialism’, ‘New Ethics’, ‘New Critics’, ‘New Journalism’, ‘New Man’ — are this moment’s touchstones. This book tracks the period's new social phenomena and unfolds its distinctively modern modes of writing. It provides expert introductions amid new insights into women’s writing throughout the United Kingdom and around the globe.
Joyce Studies Annual 2010
ARTICLES Amanda Sigler, Joyce’s Ellmann: The Beginnings of James Joyce Peter Nohrnberg, “Building Up a Nation Once Again”: Irish Masculinity, Violence, and the Cultural Politics of Sports in A Portrait of the Artist as a Young Man and Ulysses Denise Ayo, Scratching at Scabs: The Garryowens of Ireland Lauren Rich, A Table for One: Hunger and Unhomeliness in Joyce’s Public Eateries Angela Nemecek, Reading the Disabled Woman: Gerty MacDowell and the Stigmaphilic Space of “Nausicaa” Dieter Fuchs, Szombathely, Vienna, Budapest: Epic Geography and the Austro-Hungarian Subtext of James Joyce’s Ulysses Roy Benjamin, Intermisunderstanding Minds: The First Gospel in Finnegans Wake NOTES Faith Steinberg, Joyce Illustrates Finnegans Wake (verbally) and HCE Goes Tomb-Hopping Joseph Kestner, James Joyce’s “Araby” on Film Brandon Lansom, Orpheus Descending: Images of Psychic Descent in “Hades” and “Circe” Thomas Rendall, Joyce’s “The Dead” and the Mid-life Crisis
