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History of Ming Dynasty (Part II)
The Twenty-Four Histories (Chinese: 二十四史) are the Chinese official historical books covering a period from 3000 BC to the Ming dynasty in the 17th century. The Han dynasty official Sima Qian established many of the conventions of the genre. Starting with the Tang dynasty, each dynasty established an official office to write the history of its predecessor using official court records. As fixed and edited in the Qing dynasty, the whole set contains 3213 volumes and about 40 million words. It is considered one of the most important sources on Chinese history and culture. The title "Twenty-Four Histories" dates from 1775 which was the 40th year in the reign of the Qianlong Emperor. This ...
Sentencing Standards for the Crime of Loneliness
Dongsheng Shenzhou is one of the four major continents in the world. Located on the eastern side of the sea, it is a vast and fertile land. There are four kingdoms on it, with Aolai Kingdom in the west being the largest, occupying almost half of the continent's land. The remaining land is owned by Jieluo Kingdom in the south, Xinfeng Kingdom in the east and west, and Jidong Kingdom in the far east.
General History of Chinese Film I
The early years of the history of Chinese film have lately been the subject of resurgent interest and a growing body of scholarship has come to recognise and identify an extraordinarily diverse and complex period. This volume explores the development of Chinese film from 1896 to 1949. The volume covers the screening of foreign films in Shanghai, Hong Kong and other coastal cities in China, the technological and industrial development of Chinese national cinema, key filmmakers and actors of early Chinese cinema, changing modes of representation and narration, as well as the social and cultural contexts within which early Chinese films were produced and circulated. The relationship between the War of Resistance against Japan and the Chinese civil war and Chinese film is also explored. The book will be essential reading for scholars and students in film studies, Chinese studies, cultural studies and media studies, helping readers develop a comprehensive understanding of Chinese film.
He's Like a Star
The mud at the edge of the fields, the sharp straw, the heavy basket, drove her from nothing to the position of a million years salary, the hardships within were only known to her. Her granny treated her as a ATM, her eccentric relatives treated her as a piece of fat, her cousin shamelessly hooked her fiancé and then, as a matter of course, asked her for the dowry money. "Three years from now, we will get a divorce and not disturb each other." After being betrayed by her fiancé, a marriage contract like this was thrown in front of her. She didn't even think about following the man to the Civil Affairs Bureau to obtain his certificate. After the marriage, before she could vent her anger of betrayal, Mr. Qi had started to play it for real!
Together With My Ghost Husband
This world wants to be our enemy, and that world also wants to be our enemy. In the boundless universe, there was no way out. One person was alone, but his heart was filled with sorrow. Fortunately, I met you again, and tolerated my mistakes and stubbornness. After experiencing the most terrible pain and walking through the most winding paths, we were finally able to hold hands again. If you can't be reborn, why don't I give you a ghost doll!
The Wounded
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Women of China
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Daily Report
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