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In Signifiers and Acts, Ed Pluth examines Lacan's views on language and sexuality to argue that Lacan's theory of the subject is best read as a theory of freedom and agency—a theory that is especially compelling precisely because of its structuralist and seemingly antihumanist framework. Presenting new aspects of Lacan's work and commenting extensively on the important yet unpublished seminars that still make up the majority of his contribution to contemporary thought, the book aims to make a Lacanian intervention into contemporary theory. In addition to Saussure, Sartre, Derrida, Lacoue-Labarthe, and Nancy, Pluth discusses works in political theory and identity theory by Alain Badiou, Judith Butler, and Slavoj Zðizûek.
"To mark the English translation of Etre et l'événement as Being and event, ... a special issue on the work of the philosopher Alain Badiou ... [encouraging] contributors to take up the challenge Badiou raises in Being and event ... and deploy his categories in thinking a particular situation - be it political, artistic, scientific or amorous."--Ch. 1.
An investigation of how American poetry since Whitman makes its beginnings, with what means and to which political and aesthetic ends, and how it addresses fundamental questions about what the future is and how it may be affectednow.
The ten essays in this volume deal with the debates and conflicts about modernity in a period of American history when the tensions and strains caused by seemingly unrestrained change and the reactions to it were particularly severe and tangible. Partly concentrating on the margins or dark underworlds of modernity, such as racism and violence, partly focusing on the allegedly unlimited space to negotiate and create social order from scratch, the contributions to this volume show that, and discuss why, modernity was an issue in contemporary United States which seemed to have been even more hotly contested than in Europe at the same time, albeit sometimes in terms of “Americanism” rather than “modernism”. In this book, European scholars of the United States apply variations on the transnational discourse on modernity to unexpected dimensions of U.S. history, making this volume a fascinating example of the present-day enterprise of internationalizing American studies.
Offers insights into the Latin American literary tradition by analyzing the diverse views of eminent and lesser known writers. This study uses critical theory - psychoanalysis, phenomenology, Bakhtin, Marx postmodernism and post-structuralism - that enables scholars to link the study of world literature and contemporary trends in literary theory.
In this groundbreaking work, Raphael Comprone uses psychoanalysis to reinvigorate Harlem Renaissance studies. This book examines the works of notable Harlem Renaissance authors such as Langston Hughes, Zora Neale Hurston, Jessie Redmon Fauset, Nella Larsen, George Schuyler, Wallace Thurman, and Claude McKay. In detailed, focused sections, Poetry, Desire, and Fantasy in the Harlem Renaissance explores issues of white subjectivity in the works of Hughes and Hurston, the embrace of primitivism by Claude McKay, musings on racial transformation and racial hierarchies, and the decline of the Harlem Renaissance. This comprehensive and fresh study not only questions, but also illuminates the relationship between fantasy, language, and desire during the Harlem Renaissance.
Offers a philosophical history of bridges—both literal bridges and their symbolic counterparts—and the acts of cultural connection they embody. “Always,” wrote Philip Larkin, “it is by bridges that we live.” Bridges represent our aspirations to connect, to soar across divides. And it is the unfinished business of these aspirations that makes bridges such stirring sights, especially when they are marvels of ingenuity. A rich compendium of myths, superstitions, and literary and ideological figurations, Of Bridges organizes a poetic and philosophical history of bridges into nine thematic clusters. Leaping in lucid prose between distant times and places, Thomas Harrison questions why...