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“Stony the Road presents a bracing alternative to Trump-era white nationalism. . . . In our current politics we recognize African-American history—the spot under our country’s rug where the terrorism and injustices of white supremacy are habitually swept. Stony the Road lifts the rug." —Nell Irvin Painter, New York Times Book Review A profound new rendering of the struggle by African-Americans for equality after the Civil War and the violent counter-revolution that resubjugated them, by the bestselling author of The Black Church and The Black Box. The abolition of slavery in the aftermath of the Civil War is a familiar story, as is the civil rights revolution that transformed the nat...
A revelatory critique of public display in the United States. In Religion in Plain View, Sally M. Promey analyzes religion’s visible saturation of American public space and the histories that shaped this exhibitionary aesthetics. In street art, vehicle décor, signs, monuments, architecture, zoning policy, and more, Promey exposes American display’s merger of evangelicalism, capitalism, and imperialism. From this convergence, display materializes a distinctly American drive to advertise, claim territory, invalidate competitors, and fabricate a tractable national heritage. Charting this aesthetics’ strategic work as a Protestant technology of White nation formation, Religion in Plain View offers a dynamic critique of the ways public display perpetuates deeply ingrained assumptions about the proper shape of life and land in the United States.
Assessing a university’s legacy in the age of segregation This anthology reckons with the University of Virginia’s post-emancipation history of racial exploitation. Its fifteen essays highlight the many forms of marginalization and domination at Virginia’s once all-white flagship university to uncover the patriarchal, nativist, and elitist assumptions that shaped university culture through the late nineteenth century and well into the twentieth. Including community responses ranging from personal reflections to interviews with local leaders to poems, this accessible volume will be essential reading for anyone with ties to UVA or to Charlottesville, as well as for anyone concerned with the legacy of slavery and segregation in America’s universities.
From a social critic and journalist, a poignant book that encourages publicly grieving what we've lost in order to move towards a hopeful future. Our era is one of significant and substantial loss, of unraveling hopes and expectations, of dreams curtailed, of aspirations desiccated. At the same time, we are denied the means of mourning the futures that are being so brutally curtailed. At such a moment, taking the time to grieve is a radical act. Through in-depth reporting intertwined with memoir, Sarah Jaffe shows how public memorialization has become more than a refusal or a protest: it is a path to imagining a better world. When we are able to mourn the lives, the homes, and the worlds we have lost, we are better prepared to fight for a transformed future.
A groundbreaking history, decades in the making, that chronicles how blackface dominated American society culturally, financially, and racially for nearly two centuries.
Winner, 2023-2024 RSAP Book Prize, Research Society for American Periodicals In the early twentieth century, the Saturday Evening Post was perhaps the most popular and influential magazine in the United States, establishing literary reputations and shaping American culture. In the popular imagination, it is best remembered for Norman Rockwell’s covers, which nostalgically depicted a wholesome and idyllic American way of life. But beneath those covers lurked a more troubling reality. Under the direction of its longtime editor, George Horace Lorimer, the magazine helped justify racism and white supremacy. It published works by white authors that made heavy use of paternalistic tropes and dem...
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"Powers: Secret Histories is a unique book charting the career of one of the genre's most revered and gifted authors. As well as a complete, illustrated bibliography of every Tim Powers book published to date, Secret Histories offers an extraordinary insight into the stories behind the stories, collecting together in a single volume Powers ephemera previously seen only in private collections. Here - in print for the very first time - you'll find poetry, drawings, research and plotting notes, novel outlines, early drafts, out-takes and an excerpt from the author's unpublished 1974 novel, To Serve in Hell. An essential resource for collectors and fans alike, Powers: Secret Histories contains a treasure trove of exclusive material, including story notes and commentary by the author himself. You'll also find articles and essays from collaborators, friends and renowned Powers aficionados including Dean Koontz, James P. Blaylock, China Miéville, Karen Joy Fowler, John Bierer, John Berlyne and William Ashbless. Lavishly produced in full colour, Powers: Secret Histories is an unprecedented bibliographic tribute celebrating the work of a truly extraordinary writer" --