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Robert Frost was a practicing farmer, a skilled naturalist and one of America's best-loved poets. His body of work provides a vivid and compelling narrative of New England's changing environment--though it can be hard to discern when its parts are scattered through hundreds of different poems, voices and moods. This book pieces together Frost's environmental commentary, examining his poems thematically and in a logical order. In them, homesteads are carved out of the forest, families make their living from an obdurate land, property is abandoned when it fails to sell, and plants and animals reclaim deserted farms. Frost bemoaned the loss of people from the land but also celebrated the flora and fauna that thrived in fallow fields and empty barns.
NEW YORK TIMES BEST SELLER • The Pulitzer Prize–winning journalist and editor of The New Yorker gathers his writing on some of the essential musicians of our time—intimate portraits of Leonard Cohen, Buddy Guy, Mavis Staples, Paul McCartney, Bruce Springsteen, Patti Smith, and more. The greatest popular songs, whether it’s Aretha Franklin singing “Respect” or Bob Dylan performing “Blind Willie McTell,” have a way of embedding themselves in our memories. You remember a time and a place and a feeling when you hear that song again. In Holding the Note, David Remnick writes about the lives and work of some of the greatest musicians, songwriters, and performers of the past fifty years. He portrays a series of musical lives and their unique encounters with the passing of that essential element of music: time. From Cohen’s performing debut, when his stage fright was so debilitating he couldn’t get through “Suzanne,” to Franklin’s iconic mink-drop at the Kennedy Center, Holding the Note delivers a view of some of the greatest creative minds of our time written with a lifetime’s passionate attachment to music that has shaped us all.
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The perfect introduction to the poetry of Czeslaw Milosz, “one of the greatest poets of our time, perhaps the greatest” (Joseph Brodsky) Widely regarded as one of the greatest poets of our time, Czeslaw Milosz is a master of probing inquiry and graceful expression. Unflinching, outspoken, and unsentimental, Milosz digs among the rubble of the past, choosing from the bad as well as the good, forging a vision that encompasses pain as well as joy. His work is “one of the monumental splendors of poetry in our age” (Edward Hirsch, The New York Times Book Review).
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A remarkably engaging work of literary analysis, this book employs biography and cultural history to explore the scene of the abandoned house in the lives and work of Frost, Bishop, and Ashbery.
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