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Narrating Violence in Post-9/11 Action Cinema
This work discusses the way in which action movies have responded to the visual and narrative challenge of depicting terrorist violence after 9/11, when the spectacular representation of terrorist violence – and by extension the consumers of these imagers – was considered as complicit behaviour. If terrorism is theatre, who goes to see the show? A close-reading of exemplary movies (V for Vendetta, Munich, and Children of Men) concentrates on three key aspects: How is terrorist violence justified, especially in comparison to other forms of violence? How is the audience implicitly positioned? And finally, what is the role and scope of the films’ visual short-cuts, iconic “real” image...
Sexual Harassment
Contains twenty essays in which various authors discuss sexual harassment, looking at definitions and policy descriptions, explanations and causes, and legal responses.
National Union Catalog
Includes entries for maps and atlases.
