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Cinematic Rome
This collection is based on the papers given at a conference at the University of Nottingham in September 2005. The conference was intended to explore Rome as a site for the making of films, and also its changing role as a setting for cinematic narrative. The resulting collection of essays will contribute to the burgeoning genre of studies on cinema and the city, by focusing on one particularly rich case study both for the nature of the films discussed, and the complexities of the city and its representation. The volume will also reach beyond film studies in so far as the subject draws on and informs other approaches to Rome's cultural history (geography, art history, urban history, classics...
The Legacy of World War II in European Arthouse Cinema
World War II irrevocably shaped culture--and much of cinema--in the 20th century, thanks to its devastating, global impact that changed the way we think about and portray war. This book focuses on European war films made about the war between 1945 and 1985 in countries that were occupied or invaded by the Nazis, such as Poland, France, Italy, the Soviet Union, and Germany itself. Many of these films were banned, censored, or sharply criticized at the time of their release for the radical ways they reframed the war and rejected the mythologizing of war experience as a heroic battle between the forces of good and evil. The particular films examined, made by arthouse directors like Pier Paolo P...
International Adventures
A comprehensive account of the popular German film industry of the 1960s, its main protagonists, and its production strategies. The book challenges traditional assumptions about this mode of film-making.
Criminology, Civilisation and the New World Order
Expertly authored by the co-editor of the best-selling text Cultural Criminology Unleashed, this book re-examines criminology in a global context. Wide-ranging and up-to-date, it covers the topics of colonialism and post-colonialism, genocide, state control, the impact of September 11th and the post-9/11 world. Exploring the relationship between a modern discipline and modernity, it reworks the history and composition of criminology in light of September 11th and the prevalence of genocide in modernity. Analizing statistics, anthropology and the everyday assumptions of criminology's history, this text addresses the political and scholarly grip on the territorial state and the absence of a global criminology. Rejecting the prevalent belief that September 11th and the responses it evoked were exceptions that either destroyed or revealed the absence of global legal order, the author argues that, in fact, they confirm the nature of the world order of modernity. A compelling and topical volume, this is a must read for anyone interested or studying in the areas of criminology and criminal justice.
City Limits
Belfast, Beirut and Berlin are notorious for their internal boundaries and borders. As symbols for political disunion, the three cities have inspired scriptwriters and directors from diverse cultural backgrounds. Despite their different histories, they share a wide range of features central to divided cities. In each city, particular territories take on specific symbolic and psychological meanings. Following a comparative approach, this book concentrates on the cinematographic representations of Belfast, Beirut and Berlin. Filmmakers are in constant search of new ways in order to engage with urban division. Making use of a variety of genres reaching from thriller to comedy, they explore the three cities' internal and external borders, as well as the psychological boundaries existing between citizens belonging to different communities. Among the characters featuring in films set in Belfast, Berlin and Beirut, we may count dangerous gunmen, prisoners' wives, soldiers and snipers, but also comic Stasi-members, punk aficionados and fake nuns. The various characters contribute to the creation of a multifaceted image of city limits in troubled times.
Unlikely History
In the English-speaking world, it is generally believed that there are very few Jews living and thriving in Germany. Yet, there has been an unlikely postwar history 1945-2001 that has been somewhat repressed in North America and the United Kingdom. While most people are well-informed about the Holocaust and the consequences that this tragic event has had for the world, very few people know that there has been a steady increase in the population of Jews in Germany since 1945 and that there is a flourishing 'Jewish' culture, certainly a relatively strong Jewish presence, in Germany today. Does this development mean that Jews are playing a significant role in German social life? Does this mean ...
The Debris of Ham
This book investigates the juxtaposition of ethnicity and regionalism in Rwandan politics and the unfolding of the worst mass murder at the end of the twentieth century.
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