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Russian Literature and Cognitive Science
Russian Literature and Cognitive Science applies the newest insights from cognitive psychology to the study of Russian literature. Chapters focus on writers and cultural figures from the Golden to the Internet Age including: Pushkin, Dostoevsky, Tolstoy, Sologub, Bely, Akhmatova, Nabokov, Baranskaya, and contemporary online discourse. The authors draw on a wide array of cognitively-informed fields within psychology and related disciplines and approaches such as social psychology, visual processing, conceptual blending, cognitive narratology, the study of autism, cognitive approaches to creativity, the medical humanities, reader reception theory, cognitive anthropology, psychopathology, psychoanalysis, Theory of Mind, visual processing, embodied cognition, and predictive processing. This volume demonstrates how useful a tool cognitive science is for the analysis of literary texts.
Dreaming and the Imagination
Of all the human behaviors anthropologists consider, perhaps the most conceptually challenging are those that cannot by directly observed. This volume draws from rich ethnographic data to offer theoretical and methodological tools for mapping the intersections between two such behaviors: dreaming and imagination. Although Western perspectives tend to cast these as personal experiences contained within individual minds, each contributor explores diverse cultural and historical contexts to demonstrate how these behaviours are always in some sense cultural and influenced by social others. The cross-cultural approach suggests theoretical flexibility and expands the study of imagination across multiple disciplines.
Race and Nation in Modern Latin America
Based on cutting-edge research, these 12 essays examine connections between race and national identity in Latin America and the Caribbean in the post-independence era. They reveal how notions of race and nationhood have varied over time and across the region's political landscapes.
Jung's Shadow Concept
This insightful volume is designed as a series of invitations towards living attentiveness, examining how we all make the “other”, through “projection” (blaming and shaming the other outside ourselves), our enemy with whom we prefer not to dialogue. All of us are faced daily with individual and collective manifestations of the Shadow – all that we fear, despise and makes us feel ashamed. Carl Jung’s concept of the Shadow, emerging as it did from his personal confrontation with the realms of his unconscious self, is one of the most important contributions he made to the understanding of humanity and to depth psychology, that realm where the focus is on unconscious processes. The c...
The Athenaeum
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