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Taking the reader back to the early modern period, this book addresses the works of Shakespeare, and asks how historical texts might be seen to interplay with identity. Beginning with Stephen Greenblatt's illuminating essay, questions are raised about how we come up with "important" historical texts, how we use educational and cultural institutions to maintain their primacy, and what the costs of this can be. Several of the essays look at ways of defining "the self" in the 16th and 17th centuries, and the working-through of these notions in various writings. Others tell us about how people traveled and the effects of travel on selfhood - how they dressed, how they celebrated special occasion...
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Paul Vaughan finds himself hopefully seeking his fortune - and a profession - in post-war London. The 8:32 to Loughborough Junction takes him to an old-fashioned family firm, a little world where everyone is polite, where the entire office empties for the annual outing, and everyone is allowed to see the Royals go past. As his career progresses, the view across the rooftops of Camberwell from a tiny office is exchanged for the grandiose perspectives of the palace designed for the British Medical Association by Lutyens, and eventually journalism and broadcasting become the author's metier. This volume has the same wit and appetite for the bizarre details of life that distinguished its predecessor.
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