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AKASHVANI
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning ...
Indian Defence Review Jan-June 1989 (Vol 4.1)
Secrecy vs ignorance IDR COMMENT The South Asian scene • Pakistan • SAARC • Sri Lanka • Maldives • Mauritius • The China scene • Internal affairs The geopolitical and strategic considerations that necessitate the expansion and modernization of the Indian Navy – Admiral S.N. Kohli The Indian Army – Before and after Independence – Lt Gen S.K. Sinha Whither the Army – Lt Gen Hridaya Kaul Higher defence organization in India – Air Cmde Jasjit Singh The changing rhythm of war: The evolution or mechanized infantry – Lt Gen E.A. The RAPID: An appraisal of India's new-look infantry division for warfare in the plains – Lt Gen Mathew Thomas A calculus for India's regional p...
Ecologies of Precarity in Twenty-First Century Theatre
Presenting a rigorous critical investigation of the reinvigoration of the political in contemporary British theatre, Ecologies of Precarity in Twenty-First Century Theatre provides a fresh understanding of how theatre has engaged with precarity, affect, risk, intimacy, care and relationality in recent times. The study makes a compelling case for reading precarity as a 'sticky' theatrical trope which carries the potential to re-animate our understanding of identity politics and responsibility for the lives of Others in an age of uncertainty. Approaching precarity as an ecology cutting across various practices, themes and aesthetics, the book features a comprehensive selection of theatre examp...
State Enterprises in a Developing Country
Born In November 1912, Mr. R.C. Dutt Graduated From Calcutta University In 1932 And Took His Economic Tripos In Cambridge In 1935. He Competed Successfully For The Indian Civil Service In London In 1936 And Returned To India In November 1937 To Join It. For The First Ten Years He Served In Bengal, First In A Subdivision In Mymensingh, Now In Bangladesh, And Thereafter As A District Officer, Bankura, And In The Bengal Secretariat, Calcutta. Immediately After The Transfer Of Power To India, He Served Briefly As Labour Commissioner, West Bengal, And Was Subsequently Deputed To The Government Of India In December 1947. He Served The Central Government Till He Retired In November 1972, Except For...
Staging Systemic Violence
This study offers a historicization of the 2010s in British theatre with a focus on the representation of systemic violence, exploring productions that engage with concerns of protest, climate crisis, neoliberalism, racism and gender-based violence. It offers a range of case studies from established and emergent playwrights such as Caryl Churchill, Martin McDonagh, Anders Lustgarten, Lucy Kirkwood, Ella Hickson, Jasmine Lee-Jones, debbie tucker green, Zinnie Harris, and Travis Alabanza. Productions of their work in the 2010s are analysed through a framework of cultural theory, philosophy, and theatre and performance studies that offer insightful conceptions of violence and performativity. Central to this book is the belief that theatre has the ability to depict issues of systemic violence in thoughtful and valuable ways, drawing on the medium's specific relations between creatives, texts, spectatorship and audiences to mindfully engage participants in the most pressing societal and cultural concerns of their time.
Retreat of Socialism in India
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