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Principles of Radical CV Phonology
Harry van der Hulst's model of Radical CV Phonology has roots in the framework of Dependency Phonology, but proposes a rather different 'geometry', which reduces the set of unary elements to just two: |C| and |V|. The model explains the phonological distinctions that function contrastively in the world's languages rather than presenting it as a 'random' list. Van der Hulst shows how this model accounts for a number of central claims about markedness and minimal specification. He explains how the representational system accounts for phonological rules and shows how this theory can be applied to sign language structure. Through comparison to other models, he also provides insight into current theories of segmental structure, commonly used feature systems, as well as recurrent controversies.
Elements, Government and Licensing
Elements, Government and Licensing brings together new theoretical and empirical developments in phonology. It covers three principal domains of phonological representation: melody and segmental structure; tone, prosody and prosodic structure; and phonological relations, empty categories, and vowel-zero alternations. Theoretical topics covered include the formalisation of Element Theory, the hotly debated topic of structural recursion in phonology, and the empirical status of government. In addition, a wealth of new analyses and empirical evidence sheds new light on empty categories in phonology, the analysis of certain consonantal sequences, phonological and non-phonological alternation, th...
Welsh Vocal Music
Singing has long been an integral component of Wales’s culture, identity, and international reputation; alongside the deep traditions of Welsh folksong, the country’s composers have produced a rich body of art music. Welsh Vocal Music introduces readers to the vast vocal repertoire of Wales and provides them with the tools to accurately and confidently sing in the Welsh language. The first section of the book offers an introduction to Welsh lyric diction, including sounds, spellings, pronunciation rules, and dialects, while the second section provides a guide to notable vocal composers of Wales and their works. A biographical and stylistic overview is provided for each composer, along wi...
The Oxford Handbook of Vowel Harmony
This handbook provides a detailed account of the phenomenon of vowel harmony, a pattern according to which all vowels within a word must agree for some phonological property or properties. Vowel harmony has been central in the development of phonological theories thanks to its cluster of remarkable properties, notably its typically 'unbounded' character and its non-locality, and because it forms part of the phonology of most world languages. The five parts of this volume cover all aspects of vowel harmony from a range of theoretical and methodological perspectives. Part I outlines the types of vowel harmony and some unusual cases, before Part II explores structural issues such as vowel inven...
The Handbook of Clinical Linguistics
The new edition of the leading reference work on Clinical Linguistics, fully updated with new research and developments in the field The Handbook of Clinical Linguistics, Second Edition provides a timely and authoritative survey of this interdisciplinary field, exploring the application of linguistic theory and method to the study of speech and language disorders. Containing 42 in-depth chapters by an international panel of established and rising scholars, this classic volume addresses a wide range of pathologies while offering valuable insights into key theory and research, multilingual and cross-linguistics factors, analysis and assessment methods, and more. Now in its second edition, The ...
To What Extent is Word Stress Predictable in English
Seminar paper from the year 2009 in the subject English Language and Literature Studies - Linguistics, grade: A, University of Wales, Bangor, course: Phonology, language: English, abstract: In many languages word stress is quite predictable: in Czech the first syllable of a word always carries the main stress. In French the ultimate syllable is the most prominent each time. The penultimate syllable is constantly stressed in Polish. As can be seen, there are strict general rules with respect to a word’s stress. In English, however, the stressing of a lexeme appears to be arbitrary rather than following certain stress rules. The spelling does not indicate a word’s pronunciation, let alone ...
Language
Proceedings of the annual meeting of the Society in v. 1-11, 1925-34. After 1934 they appear in Its Bulletin.
