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Act Of God
A gripping and emotional thriller, perfect for fans of Jodi Picoult. A bomb destroys a medical centre in Seattle, killing over a hundred staff and patients. While no-one claims responsibility, the authorities are sure pro-life campaigners are behind the attack. This view is swiftly reinforced when the evidence leads them to Lieutenant Corey Hamlin, whose wife aborted his child when he was away at sea. Dana McAuliffe is asked to defend Hamlin, a task she instinctively wants to decline, but when she meets the accused man she quickly discerns that the case against him is far from water-tight, and that he is most likely innocent. As the trial draws closer, Dana realises that both she and her client are being manipulated by political forces with scant regard for justice. With her personal and professional life on the line, as well as trying to keep an innocent man from the electric chair, Dana has to find the real perpetrator of the bombing outrage if they are to have any chance of survival. Praise for Susan R. Sloan 'Unputdownable' Daily Mail 'A potent mixture of poltical thriller saga and courtroom drama' Marie Claire
Contemporary Musical Virtuosities
Contemporary notions of musical virtuosity redevelop historic concepts and demonstrate that our present understanding of virtuosity in western art music has shifted from what seemed, for a time, to be a relatively clear and stable definition. In the field and the academy, lively debates around the definition and/or value of virtuosity have always elicited strong and varied ideas. In the twenty-first century, frictions have emerged between traditional definitions of virtuosity and contemporary practices that emphasise collaboration and blur roles between performers, composers, and improvisers. Contemporary Musical Virtuosities embraces the evolving processes, practitioners, and presentation m...
Narrative and Self-Understanding
This exciting new edited collection bridges the gap between narrative and self-understanding. The problem of self-knowledge is of universal interest; the nature or character of its achievement has been one continuing thread in our philosophical tradition for millennia. Likewise the nature of storytelling, the assembly of individual parts of a potential story into a coherent narrative structure, has been central to the study of literature. But how do we gain knowledge from an artform that is by definition fictional, by definition not a matter of ascertained fact, as this applies to the understanding of our lives? When we see ourselves in the mimetic mirror of literature, what we see may not j...
The Ends of Critique
The Ends of Critique re-examines the stakes of critique in the 21st century. In view of increasingly complex socio-political realities and shifts in a fully globalized world, the roles and manners of critique also change. The volume offers an unprecedented re-examination of critique under those conditions of global entanglement and asymmetrical relations from a diversity of scholarly perspectives within the humanities. All contributions move the notion of critique into more diverse traditions than the Eurocentric, Kantian tradition and emphasize the need to attend to a plurality of critical perspectives. The volume’s reflections move critique toward a situated, perspectival, and entangled critical stance, with interventions from decolonial and systemic, deconstructive and (post)human(ist) perspectives. In that way, the volume develops a decidedly different approach to critique than recent considerations of critique as post-critique (Felski) or those endebted to Frankfurt School thought and liberal theories of democracy. It is the first full-length research publication of the interdisciplinary research network Terra Critica.
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