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The turn of the nineteenth century, a time of exceptional creativity in Russia, was also a time of great receptivity to foreign cultural influences. Among the most important of these were English poetry and aesthetic thought, which gave new impetus to the Russian imagination. This 1998 book is a study of the Russian reception of English literature from Romanticism to aestheticism, focusing particularly on the reception by Russian poets of Shelley, Ruskin, Pater, Frazer and Wilde. Framing this account is a pioneering exploration of the intellectual background to these influences in comparative scholarship, illuminating a common interest in myth, folklore, anthropology, and the origins of language. This book discusses the relationship between Russian conceptions of national identity, literary influence and the origins of comparative literary history.
The Teachings of Modern Orthodox Christianity on Law, Politics, and Human Nature examines how modern Orthodox Christian thinkers have answered the most pressing political, legal, and ethical questions of our time. It discusses the enduring teachings of important Orthodox Christian intellectuals of the late nineteenth and twentieth centuries. Leading contemporary scholars analyze these thinkers' views on the nature and purpose of law and authority, the limits of rule and obedience, the care of the needy and innocent, the ethics of war and violence, and the separation of church and state, among other themes. A diverse and powerful portrait of Orthodox Christian legal and political thought, this volume underscores the various ways Orthodox Christian intellectuals have shaped modern debates over the family, the state, religion, and society. The book concentrates on Russian philosophers Vladimir Soloviev (1853-1900) and Vladimir Lossky (1903-1958); Russian theologian Nicholas Berdyaev (1874-1948); Russian nun and social reformer Mother Maria Skobtsova (1891-1945); and Romanian theologian Dumitru St'niloae (1903-1993).
A comprehensive account of the influence of occult beliefs and doctrines on intellectual and cultural life in twentieth-century Russia.
With the coming of glasnost to the Soviet Union, filmmakers began to explore previously forbidden themes, and distributors released films that were suppressed by pre-glasnost-era censors. Soviet cinema underwent a revolution, one that mirrors and helps interpret the social revolution that took place throughout the USSR. Glasnost—Soviet Cinema Responds is the first overall survey of the effects of this revolution on the work of Soviet filmmakers and their films. The book is structured as a series of three essays and a filmography of the directors of glasnost cinema. The first essay, "The Age of Perestroika," describes the changes that occurred in Soviet cinema as it freed itself from the le...
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