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Francis Mercury Van Helmont's Sketch of Christian Kabbalism.
As the only English version of Francis Mercury van Helmont’s foundational treatise of Christian Kabbalism, this bilingual edition, with a facsimile of the original Latin facing the translation and author’s footnotes, contains a critical introduction, as well as supplementary endnotes.
The Evolution of Blake’s Myth
Interpreting Blake has always proved challenging. Hermeneutics, as the on-going negotiation between the horizon of expectations and a given text, hinges on the preconceptions that structure thought. The structure, in turn, is derived from myth, a cultural narrative predicated on a particular set of foundational principles, and organized in terms of the resulting symbolic form. The primary impediment to interpreting Blake has been the failure to recognize that he and much of his audience have thought in terms of two radically different myths. In The Evolution of Blake’s Myth, Sheila A. Spector establishes the dimensions of the myth that structures Blake’s thought. In the first of three parts, she uses Jerusalem, Blake’s most complete book, as the basis for extrapolating the components of the consolidated myth. She then traces the chronological development of the myth from its origin in the late 1780s through its crystallization in Milton. Finally, she demonstrates how Blake used the myth hermeneutically, as the horizon of expectations for interpreting not only his own work, but the Bible and the visionary texts of others, as well.
Wonders Divine
Approaching myth as the structuring principle of intentionality, Wonders Divine: The Development of Blake's Kabbalistic Myth analyzes the evolution of William Blake's myth in the illuminated books. With numerous reproductions of the visual and references to the verbal art, Spector traces the profound shift that occurred in Blake's subjective consciousness from the earliest prose tracts through the final prophecy, Jerusalem.
The Evolution of Blake's Myth
In The Evolution of Blake's Myth, Sheila A. Spectorestablishes the dimensions of the myth that structures Blake's thought. She demonstrates how Blake used the myth hermeneutically, as the horizon of expectations for interpreting not only his own work, but the Bible and the visionary texts of others, as well.
Glorious Incomprehensible
Approaching language as the external manifestation of intentionality, Glorious incomprehensible: The Development of Blake's Kabbalistic Language traces the evolution of hebaic etymologies and mystical grammars in the illuminated books. With numerous reproductions of the visual and references to the verbal art, Spector traces the profound shift in Blake's subjective consciousness from the earliest prose tracts through the final prophecies.
Singing in a Foreign Land
In Singing in a Foreign Land, Karen A. Weisman examines the uneasy literary inheritance of British cultural and poetic norms by early nineteenth-century Anglo-Jewish authors. Focusing on a range of subgenres, from elegies to pastorals to psalm translations, Weisman shows how the writers she studies engaged with the symbolic resources of English poetry—such as the land of England itself—from which they had been historically alienated. Weisman looks at the self-conscious explorations of lyric form by Emma Lyon; the elegies for members of the British royal family penned by Hyman Hurwitz; the ironic reflections on hybrid identities written by sisters Celia and Marion Moss; and the poems of G...
Jewish Allegory in Eighteenth-Century Christian Imagination
Rebecca K. Esterson explores how Christian methods of biblical interpretation shifted during the eighteenth century, producing a rhetorical rejection of allegory while embracing literalism. Under the influence of Enlightenment concepts of human reason and advances in the experimental sciences, Christian interpreters began casting Jewish biblical interpretation as allegorical, while presenting Christian interpretation as literal. This shift in self-understanding allowed Christians to portray their own interpretations as scientifically, philosophically, and historically superior, resulting in a new way of othering the Jewish people. This study of biblical exegesis, theology, philosophy, and the arts in English, Swedish, and German contexts is an essential resource for scholars interested in biblical reception history and the history of Jewish-Christian relations.
Jewishness in Russian Culture
Jewishness in Russian Culture is devoted to new approaches and methods for the study of Jewish acculturation in Russian literature and its effects. It attempts to redefine criteria and borders of a discipline situated roughly between Judaica Rossica and Rossica Judaica. The monograph describes a series of important literary Russian-Jewish cultural events and figures belonging synchronically or diachronically to both disciplines. Thus it unites within a new conceptual framework the data accumulated by scholars and disciplines that exist separately in different research spaces that do not overlap, Jewish Studies and the history of Russian culture. The emerging picture shows the development of a historical plot along the axis of acculturation and anti-Semitism, accepting and/or trying to be accepted, being rejected and/or rejecting, and being within or without.
Interrogating Orientalism
Introduction : mapping orientalism : representations and pedagogies / Diane Long Hoeveler and Jeffrey Cass -- Interrogating orientalism : theories and practices / Jeffrey Cass -- The female captivity narrative : blood, water, and orientalism / Diane Long Hoeveler -- "Better than the reality" : the Egyptian market in nineteenth-century travel writing / Emily A. Haddad -- Colonial counterflow : from orientalism to Buddhism / Mark Lussier -- Homoerotics and orientalism in William Beckford's Vathek: liberalism and the problem of pederasty / Jeffrey Cass -- Orientalism in Disraeli's Alroy / Sheila A. Spector -- Teaching the quintessential Turkish tale : Montagu's Turkish embassy letters / Jeanne ...
British Romanticism and the Jews
British Romanticism and the Jews explores the mutual influences exerted by the British-Christian and British-Jewish communities on each other during the period between the Enlightenment and Victorianism. The essays in the volume demonstrate how the texts produced by the Jewish Enlightenment provided a significant resource for romantic intellectual revisionism, in much the same way that British romanticism provided the cultural basis through which the British-Jewish community was able to negotiate between the competing obligations to ethnicity and nationalism.
