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Contemporary Chinese Cinema and Visual Culture
  • Language: en
  • Pages: 255

Contemporary Chinese Cinema and Visual Culture

Honourable Mention, Best Monograph Award, BAFTSS Publication Awards 2022 Sheldon Lu's wide-ranging new book investigates how filmmakers and visual artists from mainland China, Hong Kong and Taiwan have envisioned China as it transitions from a socialist to a globalized capitalist state. It examines how the modern nation has been refashioned and re-imagined in order to keep pace with globalization and transnationalism. At the heart of Lu's analysis is a double movement in the relationship between nation and transnationalism in the Chinese post-socialist state. He considers the complexity of how the Chinese economy is integrated in the global capitalist system while also remaining a repressive...

The Sage Handbook of China and the Environment
  • Language: en
  • Pages: 631

The Sage Handbook of China and the Environment

The Sage Handbook of China and the Environment offers a comprehensive exploration of China′s environment through a multidisciplinary and transdisciplinary lens. This volume presents China′s environment as a series of interconnected temporal and spatial processes involving human agency and more-than-human dynamics. Contributions from leading scholars in social science, environmental science, and humanities focus on long-term environmental change, shifts in environmental perception, and the dynamic adaptations that have shaped China as both a nation and a mosaic of distinctive socio-ecological networks. The handbook delves into the processes of human-environment relations that have shaped ...

China
  • Language: en
  • Pages: 339

China

  • Type: Book
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  • Published: 2002
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  • Publisher: Unknown

None

A Companion to Wong Kar-wai
  • Language: en
  • Pages: 644

A Companion to Wong Kar-wai

With 25 essays that embrace a wide spectrum of topics and perspectives including intertextuality, transnationality, gender representation, repetition, the use of music, color, and sound, depiction of time and space in human affairs, and Wong’s highly original portrayal of violence, A Companion to Wong Kar-Wai is a singular examination of the prestigious filmmaker known around the world for the innovation, beauty, and passion he brings to filmmaking. Brings together the most cutting edge, in-depth, and interesting scholarship on arguably the greatest living Asian filmmaker, from a multinational group of established and rising film scholars and critics Covers a huge breadth of topics such as...

Chow Yun-fat and Territories of Hong Kong Stardom
  • Language: en
  • Pages: 192

Chow Yun-fat and Territories of Hong Kong Stardom

As one of the most popular and versatile Hong Kong film stars, Chow Yun-fat has enjoyed international success over the last four decades. Using Chow's transnational and trans-regional star persona as a case study, Lin Feng investigates stardom as an agent for mediating the sociocultural construction of Hong Kong and Chinese identities. Through the analysis of Chow's on- and off-screen star image, the book recognises that a star's image is unstable and fragmented across distinct historical junctures, geographic borders and media platforms. Following Chow's career move from Hong Kong to Hollywood, and then to transnational Chinese cinema, Chow Yun-fat and Territories of Hong Kong Stardom highlights the complex redefinitions of local and global, traditional and modern, and East and West, that Chow's image has undergone, exploring the nature of Chinese and transnational stardom, the East Asian film industry, and Asian male stardom beyond martial arts and action cinema.

From Eileen Chang to Ang Lee
  • Language: en
  • Pages: 257

From Eileen Chang to Ang Lee

  • Type: Book
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  • Published: 2014-01-10
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  • Publisher: Routledge

In 2007, Ang Lee made an espionage thriller based on the short story "Lust, Caution" by Eileen Chang, China’s most famous female author of the twentieth century. The release of the film became a trigger for heated debates on issues of national identity and political loyalty, and brought unexpectedly harsh criticism from China, where Ang Lee was labelled a traitor in scathing internet critiques, whilst the film's leading actress Tang Wei was banned from appearing on screen for two years. This book analyses Ang Lee’s art of film adaptation through the lens of modern literary and film theory, as well as featuring detailed readings and analyses of different dialogues and scenes, directorial ...

Chinese Ecocinema
  • Language: en
  • Pages: 384

Chinese Ecocinema

This anthology is a book-length study of China's ecosystem through the lens of cinema. Proposing 'ecocinema' as a new critical framework, the volume collectively investigates a wide range of urgent topics in today's world.

From Historicity to Fictionality
  • Language: en
  • Pages: 213

From Historicity to Fictionality

  • Type: Book
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  • Published: 1994
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  • Publisher: Unknown

A comprehensive, comparative, and cross-cultural study of the poetics of the entire Chinese narrative tradition.

Chinese Modernity and Global Biopolitics
  • Language: en
  • Pages: 281

Chinese Modernity and Global Biopolitics

This ambitious work is a multimedia, interdisciplinary study of Chinese modernity in the context of globalization from the late nineteenth century to the present. Sheldon Lu draws on Chinese literature, film, art, photography, and video to broadly map the emergence of modern China in relation to the capitalist world-system in the economic, social, and political realms. Central to his study is the investigation of biopower and body politics, namely, the experience of globalization on a personal level. Lu first outlines the trajectory of the body in modern Chinese literature by focusing on the adventures, pleasures, and sufferings of the male (and female) body in the writings of selected autho...

Transnational Chinese Cinemas
  • Language: en
  • Pages: 438

Transnational Chinese Cinemas

Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history. This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture.