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More than fifty specialists have contributed to this new edition of volume 3 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
The Synod of Dordt 1618/1619 was one of the most important church councils in the history of the Reformed tradition. International delegates from all over Europe served as important participants and played a significant role in the evaluation of Remonstrant doctrine and in the formation of the Canons of Dordt. The Synod made important pronouncements on other issues such as Sunday observance, catechism instruction and theological education. Given the continuing worldwide historical significance of the Synod's Canons and church order, the absence of a critical scholarly edition of the majority of documents of the Synod is remarkable. The Johannes a Lasco Bibliothek in Emden, a leading research center for the history and theology of Reformed Protestantism, has taken the initiative to edit the Acts and documents of the Synod of Dordt. The edition is organized as a RefoRC project, with the participation of other institutions and scholars in Europe and North-America. Vol. II/1 edits the Convening of the Synod.
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A fascinating look at the partnership of artist James McNeill Whistler and his chief model, Joanna Hiffernan, and the iconic works of art resulting from their life together “[A] lavish volume. . . . Illuminating. . . . MacDonald’s deep research has . . . unearthed important new facts.”—Gioia Diliberto, Wall Street Journal In 1860 James McNeill Whistler (1834–1903) and Joanna Hiffernan (1839–1886) met and began a significant professional and personal relationship. Hiffernan posed as a model for many of Whistler’s works, including his controversial Symphony in White paintings, a trilogy that fascinated and challenged viewers with its complex associations with sex and morality, cl...