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Introducing Vigilant Audiences
Ever since the exposure of the Kitten Killer of Hangshou captured the imagination of online communities world-wide, vigilantism and digilantism has come to the fore as an emerging and poignant issue. In their book Introducing Vigilant Audiences Daniel Trottier and colleagues (and contributors) have produced an excellent and throughtful ‘must read’ for all who are studying vigilantism, or just interested in it. Prof. David Wall, University of Leeds This is a collection of cutting edge and thoughtful case studies of global digital vigilantism that advances this emerging and increasingly important field in useful and intriguing ways. Prof. Michael Pfeifer, City University of New York This g...
Inventing Ecosystems
This open access book examines the origins of the “ecosystem” concept through the perspective of the rhetoric of science and technology. Studying the pioneering work of ecosystems ecologists Eugene and Howard T. Odum, this book reveals the entwined intellectual history that the recent “ecological turn” in rhetoric, writing, and communication studies shares with ecosystems ecology, connections forged in a time of nuclear accelerationism and colonial scientific practices. The book uncovers the historical contexts of the ecosystem, critiques ethical and political dimensions of the ecosystems project, explores how systems thinking has influenced rhetorical inquiry, and encourages scholar...
Everybody Hurts
Have you ever been a fan of a show that was canceled abruptly or that killed off a beloved character unexpectedly? Or perhaps it was rebooted after a long absence and now you’re worried it won’t be as good as the original? Anyone who has ever followed entertainment closely knows firsthand that such transitions can be jarring. Indeed, for truly loyal fans, the loss can feel very real—even throwing their own identity into question. Examining how fans respond to and cope with transitions, endings, or resurrections in everything from band breakups (R.E.M.) to show cancellations (Hannibal) to closing down popular amusement park rides, this collection brings together an eclectic mix of schol...
Fandom, the Next Generation
This collection is the first to offer a close study of fan generations, which are defined not only by fans' ages, but by their entry point into a canon or their personal politics. As reboot culture continues, as franchises continue expanding over time, and as new technologies enable easier access to older media, Fandom, the Next Generation offers a necessary investigation into transgenerational fandoms and intergenerational fan relationships.
Popular Music, Cultural Memory, and Heritage
Popular music is increasingly being represented and celebrated as an aspect of contemporary cultural history and heritage. In many places across the world, popular music heritage sites – including museums, archives, commemorative plaques adorning buildings, and what could be referred to as DIY music heritage initiatives – constitute some of the key ways in which popular music artists, scenes and events are being remembered. Bringing together a selection of wide-ranging contributions, the purpose of this book is to present a number of case studies from Europe and Australia that demonstrate the variety of ways in which popular music is being cast as cultural heritage and as a medium that invokes the collective memory of successive generations whose identity and sense of cultural belonging have often been indelibly inscribed by the musical soundscapes of their teen and early adult years. This book was originally published as a special issue of Popular Music and Society.
Beyond Fandom
By centralising fan studies, this collection provides a crucial lens through which to understand the capability of fan practices to shape the trajectory of online communication. It provides a nuanced understanding of the interplay between social media and contemporary society.
Participatory Culture Wars
From writing fan fiction to campaigning for better media representation, fandom and participatory culture have long been seen as tools to resist dominant narratives and fight for a better future. But participatory culture is not always socially and politically progressive; rather, as Participatory Culture Wars demonstrates, it can be politically regressive and socially reactive. Communities coalesce around the exclusionary and the misinformed. Fans, fandoms, and fan practices are no longer the realm of media and popular culture; they have been adopted and co-opted across the contemporary political terrain. This volume offers specific examples and suggests approaches that can help make sense of the constantly shifting interaction between fandom and politics. Contributors: Alfred Archer, Renee Barnes, Simone Driessen, Xing Fan, Monica Flegel, Zoe Hurley, Bethan Jones, Sklaerenn Le Gallo, Judith Leggatt, Georgina Mills, Peng Qiao, James Rendell, Mel Stanfill, Michelle Stewart, Rebecca Williams, Christina Wurst
