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This book explores the history of the Organization for Economic Co-operation and Development (OECD) and its place within capitalist development. Since 1948, the OECD and its forerunner, the Organization for European Economic Cooperation (OEEC) worked on almost every subject of interest to national governments ranging from economic growth to education (PISA rankings), statistics, to the environment. With varying success the OEEC/OECD thus played a key role as a warden of the West and of capitalist development. However, it has remained one of the least understood international organizations. Bringing together a number of case studies by scholars from around the world, this first source-based volume on the history of the OEEC/OECD in global governance offers not only a new understanding of the Organization’s key areas of activities, but also its multiple relations to member states, other international organizations, and private networks. The volume thus critically re-examines postwar international history, most importantly decolonization and the Cold War, through the prism of one international organization in its various contexts.
Few would dispute that many Western industrial democracies undertook extensive deregulation in the 1970s and 1980s. Yet this narrative, in its most familiar form, depends upon several historiographical assumptions that bely the complexities and pitfalls of studying the recent past. Across thirteen case studies, the contributors to this volume investigate this “deregulatory moment” from a variety of historical perspectives, including transnational, comparative, pan-European, and national approaches. Collectively, they challenge an interpretive framework that treats individual decades in isolation and ignores broader trends that extend to the end of the Second World War.
The contested creation of free movement—for people and goods—in the Schengen area of Europe Europe is a place of free movement among nations—or is it? The Schengen area, established in 1985 and today encompassing twenty-nine European countries, allows people, goods, and capital to cross borders without restraint. Schengen transformed European life, advancing both a democratic project of transnational citizenship and a neoliberal project of international free trade. But the right of free movement always excluded non-Europeans, especially migrants of color from former colonies of the Schengen states. In Europe without Borders, Isaac Stanley-Becker explores the contested creation of free ...
Tangled Transformations presents a historical analysis of the interplay between German unification and European integration from the mid-1980s to the mid-1990s. Building on freshly released documents, the book’s sixteen chapters explore constellations in which the two processes accelerated and informed one another. The book highlights the role of Germany’s neighbours to the east, with chapters discussing the cotransformation between East and West as well as chapters dedicated to Poland, Romania, and Hungary. It sheds new light on the two interrelated processes by examining the role of Germany’s most important Western neighbours and partners: the United States, the United Kingdom, France, and Italy. The book pays particular attention to the role of the European Commission as well as to monetary and industrial policy. It also moves beyond the economic sphere by discussing foreign and security policy issues, justice and home affairs, German debates about European integration at the time, and the significance of the German federal states. Ultimately, Tangled Transformations demonstrates the strong interlinkages between German unification and European integration.
Focusing on select examples of Italian art spanning roughly four hundred years, Italian Renaissance Art: A Sourcebook explores contextual, explanatory information that is rarely part of general surveys of the period. Artists' chronologies are at the core of this text providing overviews of artists' careers with timelines of their activities and commentary on significant works. The book also uniquely incorporates numerous drawings, diagrams, and line arts as a means of allowing the reader to develop a fuller idea of the art of the period, Supporting the artists' chronologies are chapters devoted to historical notes and a glossary of terms, and concluding chapters offer in--depth information on select examples of Renaissance patrons and cities. Easy-to-find information and a highly accessible format encourage the cross--reading of sections, emphasizing the many interconnections among artists and patrons within a historical context. Such a layered presentation of information allows readers to construct a dynamic picture of the period and inspires an active role in looking at and thinking about Italian Renaissance art.
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Issues for Feb. 1957-July 1959 include a Checklist of the Vatican manuscript codices available for consultation at the Knights of Columbus Vatican Film Library at St. Louis University, pts. 1-8.
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