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Prodigy pianist Simon Duckworth has a dark past. After being violently raped when he was thirteen, he flees to London, ashamed and determined never to tell a soul. He gets a job at a Denmark Street music shop, but it stifles him. At the first opportunity, Simon answers an ad for a musician, an act that changes his life forever. Stephen Abednego has seen the same ad. He arrives in London with little more than his ambitions and a sheaf of poems, but together, they're enough to get him hired. Under their new manager's watchful eye, Stephen falls for Simon—but Stephen deeply closeted, and Simon may be too emotionally scarred for a mature relationship. With their manager's help, their music rises, dragging them into the hectic world of superstardom, but success doesn't come without a price. Each step out of the ennui and coal smoke of 1960s industrial London must be paid for in regret. With social convention standing between them and the whole world watching, Stephen and Simon discover that finding each other is not as easy as it seems.
The story of one man's journey to hell. Hell does have a name.Robben Island. This story, though fictional, is based on, and honors, the life - and death - of Stephen Biko. It is 1977, Johannesburg, South Africa. Some cruelly and sadistically wielded power meant to scourge, some broke under its weight, while some remained unbent, immovable under it, resolute of spirit, and ultimately, tragically, indomitable. This is the story of such a man.The story of Stephen Biko, though familiar to many, is a tragedy beyond what any man, any person should ever have to endure. This is not a story for the feint of heart or stomach. It is a story, not meant to shock, but to shine the unapologetic, unflattering light of truth on a situation that was, and is very real. Told through one man's journey, it will lay bare any and all realities of a world that for some was inescapable. The pain is real. The horrors are real. Ignoring them won't change a thing. Understanding it just might.
Author André van Niekerk's inquiring mind and divinely inspired ambition to understand the gospel of Jesus Christ sent him on a seven-year journey to study this subject. He explores many spiritual concepts and symbolism contained in the Bible, such as Adam's actual sin and how it affects us; the significance of Abraham's faith and his covenant with God; the reason God asked Abraham to sacrifice Isaac; and the purpose of the Law of Moses. He also considers these questions: Is Jesus the Messiah, and why was He born by a virgin mother? Can God simply overlook sin? Why does Jesus' death pay for my sin? Is Jesus both the Son of God and Son of Man? Why did Jesus have to suffer so much? Is all of ...
The "History of Cambridge" was originally published in 1877. Besides the historical narrative in the first volume, the second volume contains a very full and carefully compiled "Genealogical Register" of the early settlers and their descendants. These volumes are, in the most essential respects, models of what a town history should be. They contain the most important information obtainable from the sources then open to the author, and this is presented in a clear and concise narrative. In the estimation of those most competent to pass judgment, these volumes are authorities. But they are something more than authorities. They not only instruct; they inspire. Nobody deserves the privilege of growing up in this city who does not make himself familiar with these books. They are epitomes of the history, not only of this town, but of a good many other Puritan towns. It fills this place with memories of by-gone scenes and deeds which were precious to the people of those times, and are precious still to us, their descendants or successors.
This is a definitive study of films that have been built around the themes of love, death, and the afterlife—films about lovers who meet again (and love again) in heaven, via reincarnation, or through other kinds of after-death encounters. Far more than books about mere ghosts in the movies or religion in movies, Love in the Afterlife presents a complex but highly distinctive and unique pattern—the love-death-afterlife pattern—as it was handed down by the ancient Egyptians and Greeks (in the Isis and Orpheus myths, for example), developed by Freud and his followers in the duality of “Eros and Thanatos,” and then featured in popular movies from the 1920s to the recent past. Among it...
The main question confronted in this book is why James Joyce’s characters so often repeat the words of other characters. Joyce gives much attention and detail to how spoken discourse can influence the inner lives of his characters from the opening short story of Dubliners to the final page of his last work, Finnegans Wake. As opposed to an intertextual reading that would look for other texts influencing Joyce’s work, this book is marked by intratextual readings: Readings in which the repetition of utterances made by Joyce’s characters are read together within his own works. Drawing from such notable figures as Mikhail Bakhtin and Gilles Deleuze for its theoretical foundations of transm...