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Jewish Art in Late Antiquity
Antique Jewish art visualized the idea that the essence of God is beyond the world of forms. In the Bible, the Israelites were commanded to build sanctuaries without cult statues. Following the destruction of the Second Temple, Jews turned to literary and visual aids to fill the void. In this accessible survey, Shulamit Laderman traces the visualizations of the Tabernacle implements, including the seven-branch menorah, the Torah ark, the shofar, the four species, and other motifs associated with the Hebrew Bible and the Jewish calendar. These motifs evolved into iconographic symbols visualized in a range of media, including coins, funerary art, and synagogue decorations in both Israel and the Diaspora. Particular attention is given to important discoveries such as the frescoes of the third-century CE synagogue in Dura-Europos, mosaic floors in synagogues in Galilee, and architectural and carved motifs that decorated burial places.
The Menorah and the Seven-branched Candelabrum
For both Judaism and Christianity, the Menorah is an iconic artefact. It played a crucial role as an implement of the Tabernacle in the desert and the Temple in Jerusalem. After the destruction of the Temple and the eventual loss of the Menorah, it became the quintessential symbol of the Jewish people. It also figures prominently in Christian thought and imagery. Especially Christian monumental seven-branched candelabra raise questions about their spatial aesthetics as well as their liturgical and performative functions. This volume offers interdisciplinary reflections on the Menorah in both Jewish and Christian traditions, and thus contributes not only to a better understanding of their cultural entanglement in pre-modern times, but also to a more differentiated view of their specific and contextualaesthetic qualities.
Samaritans Through the Ages
The volume contains the edited papers presented at the 10th international conference of the Société d’Études Samaritaines held in Budapest in 2022. It is dedicated to the famous Hungarian rabbi and scholar Samuel Kohn (1841–1920) whose relevance in Samaritan studies was commemorated by Abraham Tal. The articles discuss the most recent questions of Samaritan research in five different fields. Historical topics and Samaritan synagogue mosaics are investigated by Ingrid Hjelm, Innocent Himbaza and Reinhard Pummer. Greek inscriptions and Aramaic documents are studied by Magnar Kartveit, Andreas Lehnardt, and József Zsengellér. Arabic Torah interpretations, and historical documents are d...
The Synagogue in Ancient Palestine: Current Issues and Emerging Trends
This book brings together leading experts in the field of ancient synagogue studies to discuss the current issues and emerging trends in the study of synagogues in ancient Palestine. Divided into four thematic units, the different contributions apply archaeological, textual, historical and art historical methodologies to questions related to ancient synagogues. Part One addresses issues related to the origins and early development of synagogues up to 200 CE. The contributions provide different explanations to the alleged lack of evidence for synagogues built in the second and third centuries CE and ask how much continuity or change there is between the late Second Temple and late Roman/early...
Byzantium and Islam
This magnificent volume explores the epochal transformations and unexpected continuities in the Byzantine Empire from the 7th to the 9th century. At the beginning of the 7th century, the Empire's southern provinces, the vibrant, diverse areas of North Africa and the eastern Mediterranean, were at the crossroads of exchanges reaching from Spain to China. These regions experienced historic upheavals when their Christian and Jewish communities encountered the emerging Islamic world, and by the 9th century, an unprecedented cross- fertilization of cultures had taken place. This extraordinary age is brought vividly to life in insightful contributions by leading international scholars, accompanied...
Divine Inspiration in Byzantium
In this volume, Karin Krause examines conceptions of divine inspiration and authenticity in the religious literature and visual arts of Byzantium. During antiquity and the medieval era, “inspiration” encompassed a range of ideas regarding the divine contribution to the creation of holy texts, icons, and other material objects by human beings. Krause traces the origins of the notion of divine inspiration in the Jewish and polytheistic cultures of the ancient Mediterranean and Near Eastern worlds and their reception in Byzantine religious culture. Exploring how conceptions of authenticity are employed in Eastern Orthodox Christianity to claim religious authority, she analyzes texts in a range of genres, as well as images in different media, including manuscript illumination, icons, and mosaics. Her interdisciplinary study demonstrates the pivotal role that claims to the divine inspiration of religious literature and art played in the construction of Byzantine cultural identity.
The World between Empires
The World between Empires presents a new perspective on the art and culture of the Middle East in the years 100 B.C.–A.D. 250, a time marked by the struggle for control by the Roman and Parthian Empires. For the first time, this book weaves together the cultural histories of the cities along the great incense and silk routes that connected southwestern Arabia, Nabataea, Judaea, Syria, and Mesopotamia. It captures the intricate web of influence and religious diversity that emerged in the Middle East through the exchange of goods and ideas. And for our current age, when several of the archaeological sites featured here—including Palmyra, Dura- Europos, and Hatra—have been subject to deli...
Family Property Law
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