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Those We Left Behind
Blood has always been thicker than water for two Northern Irish brothers caught in the Belfast foster system, but a debt of past violence will be paid by not just them, but also by those they left behind. Ciaran Devine, who made Belfast headlines seven years ago as the “schoolboy killer,” is about to walk free. At the age of twelve, he confessed to the brutal murder of his foster father; his testimony mitigated the sentence of his older brother, Thomas, who was also found at the crime scene, covered in blood. But DCI Serena Flanagan, the only officer who could convince a young, frightened Ciaran to speak, has silently harbored doubts about his confession all this time. Ciaran’s release...
The Traveller and Other Stories
A darkly glittering collection of Northern Irish noir by Stuart Neville, Los Angeles Times Book Prize–winning author Since his debut novel, the modern classic The Ghosts of Belfast, was published a decade ago, Stuart Neville has written nine other critically acclaimed novels and achieved international recognition as one of crime fiction’s great living writers. Now for the first time Neville offers readers a collection of his short fiction—twelve chilling stories that traverse and blend the genres of noir, horror, and speculative fiction, and which bring the history and lore of Neville’s native Northern Ireland to life. The Traveller concludes with the long-awaited eponymous novella, the companion piece to The Ghosts of Belfast and Collusion. Complete with a foreword from Irish crime fiction legend John Connolly, this volume is the perfect indulgence for fans of ghost stories and noir, and is a must-have for devotees of Neville’s prizewinning Belfast novels.
Irish Crime Fiction
This book examines the recent expansion of Ireland's literary tradition to include home-grown crime fiction. It surveys the wave of books that use genre structures to explore specifically Irish issues such as the Troubles and the rise and fall of the Celtic Tiger, as well as Irish experiences of human trafficking, the supernatural, abortion, and civic corruption. These novels are as likely to address the national regulation of sexuality through institutions like the Magdalen Laundries as they are to follow serial killers through the American South or to trace international corporate conspiracies. This study includes chapters on Northern Irish crime fiction, novels set in the Republic, women protagonists, and transnational themes, and discusses Irish authors’ adaptations of a well-loved genre and their effect on assumptions about the nature of Irish literature. It is a book for readers of crime fiction and Irish literature alike, illuminating the fertile intersections of the two.
100 British Crime Writers
100 British Crime Writers explores a history of British crime writing between 1855 and 2015 through 100 writers, detailing their lives and significant writing and exploring their contributions to the genre. Divided into four sections: ‘The Victorians, Edwardians, and World War One, 1855-1918’; ‘The Golden Age and World War Two, 1919-1945’; ‘Post-War and Cold War, 1946-1989’; and ‘To the Millennium and Beyond, 1990-2015’, each section offers an introduction to the significant features of these eras in crime fiction and discusses trends in publication, readership, and critical response. With entries spanning the earliest authors of crime fiction to a selection of innovative contemporary novelists, this book considers the development and progression of the genre in the light of historical and social events.
The Economics of Empire
The Economics of Empire: Genealogies of Capital and the Colonial Encounter is a multidisciplinary intervention into postcolonial theory that constructs and theorizes a political economy of empire. This comprehensive collection traces the financial genealogies associated with the colonial enterprise, the strategies of economic precarity, the pedigrees of capital, and the narratives of exploitation that underlay and determined the course of modern history. One of the first attempts to take this approach in postcolonial studies, the book seeks to sketch the commensal relation—a symbiotic "phoresy"—between capitalism and colonialism, reading them as linked structures that carried and sustain...
The Traveller and Other Stories
'Stuart Neville writes crime fiction that is edgy, compelling and always deeply humane' MARK BILLINGHAM Bringing together thirteen gripping and unsettling tales from one of Northern Ireland's bestselling crime authors, The Traveller & Other Stories is the perfect introduction to a modern master of thriller writing, featuring a Foreword by John Connolly Stuart Neville is a writer known for shining an unflinching light on his home country and its people. Ireland - north and south - in Neville's hands, is a land haunted by ghosts, both real and imagined. This collection is divided into two parts: New Monsters and Old Friends. And many of the characters from Stuart's novels, like Gerry Fegan fro...
Stolen Souls
Gayla's only hope is about to turn into her worst nightmare Tricked into coming to Ireland with the offer of a good job, all Gayla wants to do now is run. As far and as fast as she can. Because her captors are close behind her, and they want her dead - no matter what. Two people are hunting her... Crime lord Arturus Strazdas has never had a woman he hasn't paid for and never had a friend who wasn't afraid of him. Now his brother is dead, and he's determined to find - and destroy - the woman responsible. ...And neither one will rest till she is dead On the other side of the city, Detective Inspector Lennon wants a quiet Christmas with his six year old daughter. But as the bodies start to mount up, he finds himself in a desperate race to save a woman's life, and track down two very dangerous killers. Stuart Neville's breakneck new thriller
Finders
Some of the most iconic, hard-boiled Irish detectives in fiction insist that they are not detectives at all. Hailing from a region with a cultural history of mistrust in the criminal justice system, Irish crime writers resist many of the stereotypical devices of the genre. These writers have adroitly carved out their own individual narratives to weave firsthand perspectives of history, politics, violence, and changes in the economic and social climate together with characters who have richly detailed experiences. Recognizing this achievement among Irish crime writers, Babbar shines a light on how Irish noir has established a new approach to a longstanding genre. Beginning with Ken Bruen’s ...
Ratlines
A German businessman is the third to die: murdered in a seaside guesthouse. A note pinned on his body is addressed to Colonel Otto Skorzeny, Hitler’s favourite commando and once the most dangerous man in Europe. It warns Skorzeny that they are coming for him next. Lieutenant Albert Ryan is ordered by the Irish Minister for Justice, Charles Haughey, to protect Skorzeny, but Ryan defied his parents and scandalised his home town to join the British Army and fight the Nazi regime. Can Ryan bring himself to protect a man who caused the deaths of thousands: a man who now lives safely in Ireland in the lap of luxury?
The Final Silence
DI Jack Lennon and DCI Serena Flanagan must join forces to investigate a series of murders reaching back decades Rea Carlisle inherits a house from an uncle she never knew – and with it a leather-bound book containing fingernails, locks of hair and a list of victims. Horrified, Rea turns to the only person she can think of: old flame DI Jack Lennon. But Lennon has his own troubles, and they only get worse when a brutal murder places him in the crosshairs of one of the force's toughest detectives: DCI Serena Flanagan. Lennon soon realises that running isn't an option, and an alliance with Flanagan is the only way to find a killer with nothing left to lose. 'A thriller writer at the top of his game' Sunday Independent 'Packs a real punch' Guardian 'Neville's best yet' Sunday Mirror 'Confirms Neville's place in the first division of crime writers' Spectator
