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Where did we come from? Before there was life there had to be something to live on - a planet, a solar system. During the past 200 years, astronomers and geologists have developed and tested several different theories about the origin of the solar system and the nature of the Earth. Together, the three volumes that make up A History of Modern Planetary Physics present a survey of these theories. The early twentieth century saw the replacement of the Nebular Hypothesis with the Chamberlain-Moulton theory that the solar system resulted from the encounter of the Sun with a passing star. Fruitful Encounters follows the eventual refutation of the encounter theory and the subsequent revival of a modernised Nebular Hypothesis. Professor Brush also discusses the role of findings from the Apollo space programme, especially the analysis of lunar samples, culminating in the establishment, in the 1980s, of the 'giant impact' theory of the Moon's origin.
Process poetics is about radical poetry — poetry that challenges dominant world views, values, and aesthetic practices with its use of unconventional punctuation, interrupted syntax, variable subject positions, repetition, fragmentation, and disjunction. To trace the aesthetically and politically radical poetries in English Canada since the 1960s, Pauline Butling and Susan Rudy begin with the “upstart” poets published in Vancouver’s TISH: A Poetry Newsletter, and follow the trajectory of process poetics in its national and international manifestations through the 1980s and ’90s. The poetics explored include the works of Nicole Brossard, Daphne Martlatt, bpNichol, George Bowering, Roy Kiyooka, and Frank Davey in the 1960s and ’70s. For the 1980-2000 period, the authors include essays on Jeff Derksen, Clare Harris, Erin Mour, and Lisa Robertson. They also look at books by older authors published after 1979, including Robin Blaser, Robert Kroetsch, and Fred Wah. A historiography of the radical poets, and a roster of the little magazines, small press publishers, literary festivals, and other such sites that have sustained poetic experimentation, provide context.
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Mystery series debut: Newly arrived in Arizona, Kate finds her hideaway shattered by the murder of two tourists—and Kate fears she may be next. Dudley, Arizona, is an isolated desert town that attracts people who need to escape: Kate Waters flees there following an abusive relationship and Phoenix cop Malcolm MacGregor comes to recover from the death of his wife. No one knows why Carrie and Wes Cooper arrived. But when they are shot dead, the police try to protect the tourist trade by making a quick arrest—without asking too many questions. Having met Carrie briefly, Kate is still unsettled by the encounter—and convinced that the wrong man has been arrested for the crime. Was the shooting random, or is there something in the victims’ history back east that would explain it? When she teams up with Malcolm MacGregor, Kate uncovers disturbing links between her own past and Carrie’s. Is Kate herself at risk? The first in the Kate Waters series by the author of the Chloe Newcomb mysteries.
Each new volume by Stuart Ross is a more confounding grab bag than the last. In 'You Exist. Details Follow.', his seventh full-length collection of poetry, Stuart Ross veers in opposite directions: narrative confessional poems, and works that might be considered abstract expressionist, and a lot both in between and beyond those boundaries. Still, each poem breathes with the signature weirdness, the sharp wit and gentle awe that Ross is known for.Here you'll find new poems from Ross'songoing Razovsky series, one-line poems, centos, fractured sonnets, poems composed through surrealist strategies, and more."A voice all his own. Stuart Ross unleashes his refreshing snark in his latest collection...
Now streaming on Paramount+ as an exclusive docuseries! The New York Times Bestseller The Explosive National Bestseller "A backstage pass to the wildest and loudest party in rock history—you'll feel like you were right there with us!" —Bret Michaels of Poison Nothin' But a Good Time is the definitive, no-holds-barred oral history of 1980s hard rock and hair metal, told by the musicians and industry insiders who lived it. Hard rock in the 1980s was a hedonistic and often intensely creative wellspring of escapism that perfectly encapsulated—and maybe even helped to define—a spectacularly over-the-top decade. Indeed, fist-pumping hits like Twisted Sister’s “We’re Not Gonna Take It...
Vols. for 1847/48-1872/73 include cases decided in the Teind Court; 1847/48-1858/59 include cases decided in the Court of Exchequer; 1850/51- included cases decided in the House of Lords; 1873/74- include cases decided in the Court of Justiciary.