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Replication in the Long Nineteenth Century
No detailed description available for "Replication in the Long Nineteenth Century".
Textile Orientalisms
The first major study of Cashmere and Paisley shawls in nineteenth-century British literature, this book shows how they came to represent both high fashion and the British Empire. During the late eighteenth century, Cashmere shawls from the Indian subcontinent began arriving in Britain. At first, these luxury goods were tokens of wealth and prestige. Subsequently, affordable copies known as “Paisley” shawls were mass-produced in British factories, most notably in the Scottish town of the same name. Textile Orientalisms is the first full-length study of these shawls in British literature of the extended nineteenth century. Attentive to the juxtaposition of objects and their descriptions, ...
Insurgent Sepoys
The Revolt of 1857 in India has so far largely been viewed as an event that was of interest to British and Indian scholars investigating the various consequences of British colonial rule in India. What has remained out of the focus of study during the last 150 years is the possible impact of the Revolt elsewhere, its so to say international dimension: what, in particular, was the reaction in Europe where elemental social and political transformations were underway. Whatever the varied nature of the reactions, the space given to the Revolt in many European newspapers and journals while it was in progress is certainly extensive. What is more, representations of and reflections on the Revolt appeared both during the event and for long after its suppression, above all in forms of popular fiction but also in historical accounts, letters, reminiscences and other forms of writing. The collection of essays in this volume ventures into this unexplored terrain and offers a first look at some of these European responses.
Transatlantic Threads
Transatlantic Threads shows how studying the making, use and meaning of a relatively low-cost, utilitarian cloth like linen, broadens our understanding of eighteenth-century Scotland and the wider Atlantic world. Different types of linen cloth were used across society everyday: from fine shirts worn by the rich, to coarse aprons worn by labourers; from expensive bed sheets, to canvas used for ships' sails. Eighteenth-century linen production was a Scottish economic success story, with thousands of people working to produce millions of yards of yarn and woven cloth. It was also how Scots became inextricably linked with transatlantic trade and the slavery economy, as the desire to capture the colonial market was a key driver for developing coarse linen production. Using a material commodity to explore everyday experiences of ordinary people, particularly women, non-elite and enslaved people, Transatlantic Threads examines the cultural and social significance of linen in Scottish and transatlantic society.
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The Celluloid Couch
In this unique filmography, Leslie Rabkin delves deeply into film's "unconscious," producing a valuable reference text concerned with the history of film and its representation of therapy and mental illness. The Celluloid Couch is arranged by decade, with the exception of the earliest period, The Silent Era (from the very beginnings of film to 1920). Each period contains a thoughtful introduction that highlights important films and discusses the intersection of film with history and psychology. Rabkin's overview lays bare patterns in film's representation of mental illness and therapy, and inquires how contemporary stereotypes of psychiatric patients and institutions have been formed from fi...
