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BollySwar is a decade-wise compendium of information about the music of Hindi films. Volume 6 chronicles the Hindi film music of the decade between 1981 and 1990. This volume catalogues more than 1000 films and 7000 songs, involving more than 1000 music directors, lyricists and singers. An overview of the decade highlights the key artists of the decade - music directors, lyricists and singers - and discusses the emerging trends in Hindi film music. A yearly review provides listings of the year's top artists and songs and describes the key milestones of the year in Hindi film music. The bulk of the book provides the song listing of every Hindi film album released in the decade. Basic informat...
A collection of articles and memoirs from those who loved the legendary Hindi playback singer Mohammed Rafi
This Day That Year as a title came from a TV program of the 90s called “This Week That Year”, that I used to watch on TV. I could relate to it very well as I remembered the release dates of most of the movies of the late 60s and early 70s and when the host spoke about it, I went down my memory lane and loved the experience. Once I became part of Facebook in 2009, I found a great forum to share my experiences of movie releases in Bombay then and now Mumbai. I found a lot of like-minded people who could relate to my post and shared their experiences and thoughts as comments. Quite a few of them encouraged me to share it with a larger audience and hence suggested publishing it. I never thought of doing it but when people kept telling me regularly to do it, I decided to give it a try, and here comes my experiences and thoughts of the movies released in the late 60s and early 70s. Hope you like what you read, though many of the statements would look repetitive. But do accept the experiences of a teenager who turns into a man in 1973.
The Hindi film song has held millions spellbound for nearly eight decades. In this unputdownable ‘labour of love’, India’s leading film song historian, Raju Bharatan, delves deep into his treasure trove to tell us how singing is all about romancing, how composing is all about feelings, how the twain, stardom and songdom, do meet to make the vintage film number a part of the nation’s psyche. He reconstructs song happenings over the last sixty years or so to condense the emotion and passion going into legendary star hook-ups, showing us how with the pairing comes the vibe, with the vibe comes the tune, and with the tune unfolds cinema that is a ‘Madhuballad’ all the way. This volum...
The 1940s witnessed the scripting of an origin story that would go down in the books. A young man was signed on by Guru Dutt as assistant director after eager assurances of his competency in Hindi, a white lie that was soon unmasked. This was Raj Khosla, an aspiring playback singer, eager to get a foot in the door any which way. In a plot twist he would have approved of, he became instead a filmmaker who made a habit of hits, routinely setting the box office on fire. He made taut thrillers (C.I.D.), family dramas (Do Raaste), timeless romances (Do Badan) and action spectacles (Dostana). Few filmmakers have demonstrated such versatility and command over their craft. He was behind some of Hind...
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INTRODUCTION BY LATA MANGESHKAR Lata Mangeshkar's life and career are widely known, and yet there is an aspect that remains largely unrecorded: her life on the international stage. Beyond the confines of a recording booth, or as the voice of generations of actresses, she was an accomplished and magnetic performer on stage. She attracted vast audiences of Indian origin who have made their home in many countries, including the US and Canada. Mangeshkar transformed how the Indian film music concert was perceived in the West by refusing to be part of the low-key song-and-dance performances that were held earlier in community halls, schools and colleges. She insisted that she and her colleagues w...
In the late nineteenth century, in a small village in northern India, a thirteen-year-old Brahmin widow meets a Muslim sarangi player and elopes with him. Many years later, their daughter Jaddanbai moves to Bombay and becomes a star of the early talkies. Chateau Marine, her home on Marine Drive, is famous for its evening mehfils and for the dreams it nurtures: regular visitors include Dilip Kumar, Mehboob and Kamal Amrohi. It is also the home of Fatima, Jaddanbai's daughter, who will set the screen ablaze as Nargis, the most accomplished actress of her time.Far removed from this world of glamour, a young boy named Balraj Dutt spends his teenage years attempting to rehabilitate himself and hi...