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China Room
LONGLISTED FOR THE 2021 BOOKER PRIZE LONGLISTED FOR THE AMERICAN LIBRARY ASSOCIATION'S CARNEGIE MEDAL NAMED A BEST BOOK OF 2021 BY NPR, TIME, AND THE STAR-TRIBUNE “Sunjeev Sahota's new novel follows characters across generations and continents...Heart-wrenching.” —Entertainment Weekly “An intimate page-turner with a deeper resonance as a tale of oppression, independence and resilience.” —San Francisco Chronicle A transfixing, "powerfully imaged" (USA Today) novel about two unforgettable characters seeking to free themselves—one from the expectations of women in early twentieth-century Punjab, and the other from the weight of life in the contemporary Indian diaspora Mehar, a you...
Ours are the Streets
From Yorkshire to Afghanistan, Ours are the Streets is a poignant and powerful story of political radicalization by Sunjeev Sahota, author of Man Booker Prize shortlisted The Year of the Runaways. When Imtiaz Raina leaves England for the first time, to bury his father on his family’s land near Lahore, he exchanges his uncertain life in Sheffield for a road that leads to the mountains of Kashmir and Afghanistan. Once back in Yorkshire, he writes through the night to his young wife Becka and baby daughter Noor, and tries to explain, in a story full of affection and yearning, what has happened to him – and why he has a devastating new sense of home. 'What Sahota creates is not an exploration of the psyche of a suicide bomber, but an exploration of a man.' – Yorkshire Post 'What is most chilling, and most successful, is that it all seems so familiar, so close and so easy.' – Sunday Times
China Room
LONGLISTED FOR THE 2021 BOOKER PRIZE FINALIST FOR THE AMERICAN LIBRARY ASSOCIATION’S CARNEGIE MEDAL NAMED A BEST BOOK OF 2021 BY NPR, TIME, THE GUARDIAN, THE TIMES (UK), THE STAR-TRIBUNE AND THE WASHINGTON POST “Sunjeev Sahota’s new novel follows characters across generations and continents. . . . Heart-wrenching.” —Entertainment Weekly “An intimate page-turner with a deeper resonance as a tale of oppression, independence and resilience.” —San Francisco Chronicle A transfixing, “powerfully imaged” (USA Today) novel about two unforgettable characters seeking to free themselves—one from the expectations of women in early twentieth-century Punjab, and the other from the we...
China Room
In 1929 young bride Mehar struggles with her family’s expectations whilst seventy years later her great-grandson discovers what her story can teach him about his own path. 'A gorgeous, gripping read' Kamila Shamsie 'A multi-generational masterpiece' Daily Mail Mehar, a young bride in rural Punjab, is trying to discover the identity of her new husband. It is 1929, and she and her sisters-in-law - married to three brothers in a single ceremony - spend their days hard at work on the family farm, sequestered from contact with the men. When Mehar develops a theory as to which of them is hers, a passion is ignited that will put more than one life at risk. Spiralling around Mehar's story is that ...
The Limits of Cosmopolitanism
This book examines the limits of cosmopolitanism in contemporary literature. In a world in which engagement with strangers is no longer optional, and in which the ubiquitous demands of globalization clash with resurgent localist and nationalist sentiments, cosmopolitanism is no longer merely a horizon-broadening aspiration but a compulsory order of things to which we are all conscripted. Focusing on literary texts from such diverse locales as England, Algeria, Sweden, former Yugoslavia, and the Sudan, the essays in this collection interrogate the tensions and impasses in our prison-house of cosmopolitanism.
Representing Poverty and Precarity in a Postcolonial World
Poverty and precarity are among the most pressing social issues of today and have become a significant thematic focus and analytical tool in the humanities in the last two decades. This volume brings together an international group of scholars who investigate conceptualisations of poverty and precarity from the perspective of literary and cultural studies as well as linguistics. Analysing literature, visual arts and news media from across the postcolonial world, they aim at exploring the frameworks of representation that impact affective and ethical responses to disenfranchised groups and precarious subjects. Case studies focus on intersections between precarity and race, class, and gender, institutional frameworks of publishing, environmental precarity, and the framing of refugees and migrants as precarious subjects. Contributors: Clelia Clini, Geoffrey V. Davis, Dorothee Klein, Sue Kossew, Maryam Mirza, Anna Lienen, Julia Hoydis, Susan Nalugwa Kiguli, Sule Emmanuel Egya, Malcolm Sen, Jan Rupp, J.U. Jacobs, Julian Wacker, Andreas Musolff, Janet M. Wilson
Encyclopedic Dictionary of Diasporic Indian English Writing
The Handbook of Diasporic Indian Writing in English is an essential reference to Indian literature. It features alphabetical entries of Indian writers who have bridged the gap between cultures and redefined language boundaries. As the field of diasporic writing continues to expand and intersect with various branches of English and Cultural studies, it anticipates a growing market. It offers a unique and compelling perspective on the global tapestry of literature. It draws on various interdisciplinary approaches, including postcolonial theory, cultural studies, and digital humanities, to offer fresh and innovative perspectives on the literature. It is an indispensable resource for research scholars of literary studies and related disciplines, like cultural studies and postcolonial studies.
The Working Class and Twenty-First-Century British Fiction
The Working Class and Twenty-First-Century British Fiction looks at how the twenty-first-century British novel has explored contemporary working-class life. Studying the works of David Peace, Gordon Burn, Anthony Cartwright, Ross Raisin, Jenni Fagan, and Sunjeev Sahota, the book shows how they have mapped the shift from deindustrialisation through to stigmatization of individuals and communities who have experienced profound levels of destabilization and unemployment. O'Brien argues that these novels offer ways of understanding fundamental aspects of contemporary capitalism for the working class in modern Britain, including, class struggle, inequality, trauma, social abjection, racism, and stigmatization, exclusively looking at British working-class literature of the twenty-first century.
The 2000s: A Decade of Contemporary British Fiction
How did social, cultural and political events in Britain during the 2000s shape contemporary British fiction? The means of publishing, buying and reading fiction changed dramatically between 2000 and 2010. This volume explores how the socio-political and economic turns of the decade, bookended by the beginning of a millennium and an economic crisis, transformed the act of writing and reading. Through consideration of, among other things, the treatment of neuroscience, violence, the historical and youth subcultures in recent fiction, the essays in this collection explore the complex and still powerful relation between the novel and the world in which it is written, published and read. This major literary assessment of the fiction of the 2000s covers the work of newer voices such as Monica Ali, Mark Haddon, Tom McCarthy, David Peace and Zadie Smith as well as those more established, such as Salman Rushdie, Hilary Mantel and Ian McEwan making it an essential contribution to reading, defining and understanding the decade.
The Year of the Runaways
"Originally published in Great Britain by Picador, an imprint of Pan Macmillan, London, in 2015."
