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THE STORY: After more than thirty years in their comfortable summer home on the Eastern Shore of Maryland, Ray and Delia Morrow are preparing to sell the house and move to New Mexico. They summon their grown children to sort out the sharing of a li
Dependency grammar (DG) is an approach to the syntax of natural languages with a long and venerable tradition, yet awareness of its potential to serve as a basis for principled analyses of natural language syntax is minimal due to the predominance of phrase structure grammar (PSG). This book presents a DG of English with two main goals in mind. The first is to make the principles of dependency syntax accessible to a general audience so that the novice linguist as well as the seasoned syntactician becomes fully aware of what makes DG unique as an approach to the study of natural language syntax. The second is to present and develop a version of DG that then serves as a principled basis for the investigation of central areas of the syntax of English, such as long-distance dependencies, coordination, ellipsis, valency, etc. An overarching theme in all this is that DG is simple compared to PSG, yet despite this simplicity, it is quite effective at shedding light on the nature of syntactic phenomena.
The Douglases are traced from 100 A.D. with ancestral background in Ireland around 300 B.C. There is an American branch from the 18th century with connections to the U.S. war of independence and the anti-slave movement. The Crawfords are shown in their early history around the 12th century, then since the early 19th Century in Scotland, Ireland and New Zealand. The Clarks are shown since the mid 19thcentury but with strong Huguenot roots in the 17th century. The Gagens are traced from Germany to Norfolk in the U.K. in the 17th century; and to Canada and America in the 19th, where Dan Gagen married into the Chippewa tribe. The book is about Cyril Gagen who settled in New Zealand with his mid-wife mother in the early 20th century, and is written by his grandson. The last chapter is autobiographical with an in-depth discussion on Social Control and the ethics of its use in modern Britain and New Zealand. The Clarion review states that the book is anti-monarchist which is totally incorrect.