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Previously published as a special issue of The Bulletin of Spanish Studies, The Eighteenth-Century Theatre in Spain is the second in a series of research bibliographies on the Theatre in Spain. Representing ten years of searches and compilation by its specialist authors, this volume draws together data on more than 1,500 books, articles and documents concerned with Spanish eighteenth-century theatre. Studies of plays and playwrights are included as well as material dealing with theatres, actors and stagecraft. Wherever possible, items listed have been personally examined, and their library location in Britain, Spain or USA is provided. Scholars with interests in drama will find in this single-volume work of reference a wealth of reliable information concerning this specialist field.
Shakespeare and the Spanish Comedia is a nearly unique transnational study of the theater / performance traditions of early modern Spain and England. Divided into three parts, the book focuses first on translating for the stage, examining diverse approaches to the topic. It asks, for example, whether plays should be translated to sound as if they were originally written in the target language or if their “foreignness” should be maintained and even highlighted. Section II deals with interpretation and considers such issues as uses of polyphony, the relationship between painting and theater, and representations of women. Section III highlights performance issues such as music in modern performances of classical theater and the construction of stage character. Written by a highly respected group of British and American scholars and theater practitioners, this book challenges the traditional divide between the academy and stage practitioners and between one theatrical culture and another.
This book is about a hero in so many difference ways. In the natural and spiritual world, mankind is in need of a hero, unbeknownst to most, we need THE LORD JESUS CHRIST. Some the following events are based on reality, others are entirely fictional. The names have been changed to conceal all the characters identities. With these pages, we will show you how people are essentially cats. Cat Man is a prophet, blessed with both supernatural and spiritual power. In addition, he is an entrepreneur, a guardian angel who mentors those in need, and a cat with super powers!
This book presents the first sustained analysis of the reception of the Aristotelian golden mean and related ideas of moderation in the literature and thought of early modern Spain (1500-1700). It explores the Golden-Age understanding of Aristotle's doctrine as a prolegomenon to literary study, and its allegorical reformulation in the myths of Icarus and Phaethon, before arguing that scrutiny of how the mean and the related concept of ethical moderation are treated by early modern authors represents a vital but underexploited tool for literary analysis. Particular attention is paid to detailed case studies of works by three canonical authors--Garcilaso, Calderón, Gracián--demonstrating the value of the mean as a locus of critical attention, as analysis of its presentation allows several long-standing disputes in the scholarship on these authors to be newly resolved.
Volume 115 of the Proceedings of the British Academy contains 20 obituaries of recently deceased Fellows of the British Academy and an essay on James Bryce (President of the Academy, 1913-1917). Memoirs of Fellows have previously been published in the same annual Proceedings volume as that containing the British Academy's Lectures. The Biographical Memoirs are henceforth to be published in a volume of their own, within the Proceedings sequence.