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Rethinking Religious Conversion
Drawing on methods from religious studies, philosophy, and cognitive science, Jack Williams develops a unique and interdisciplinary approach to the study of religious conversion. This is the first major philosophical study of conversion to treat the phenomenon as a long-term process, shaped by the convert's embodiment and immersion in a linguistic, social, and ritual community. Williams' analysis of the conversion process is rooted in a view of cognition as both embodied and affective, and is informed by the latest research in phenomenology, affect theory, neuroscience, and enactivist cognitive science. In conversation with diverse conversion narratives, he advances a theory of conversion that is not restricted to a modern, Western context but that can be applied to experiences of conversion across global history and culture. Rethinking Religious Conversion displays an original approach to the philosophical study of diverse religious practices. By bringing together a diverse array of contemporary and historical scholarship, it revitalizes the study of conversion for both philosophy and religious studies.
Defeating the Evil-God Challenge
Examines the evil-god problem through three lenses of philosophical theology.
The Jurist ..
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Indiana Historical Society Publications
Vol. 1, t.-p. dated 1897, includes the Society's proceedings and all papers and publications from its organization in 1830 to 1886. Each succeeding volume made up from papers originally issued separately. Vol. 6, no. 4 contains minutes of the society, 1886-1918.
Art, Desire, and God
Bringing together thinkers from philosophy of religion, religious studies, music, art, and film, while drawing on a wealth of phenomenological resources and methods, a team of renowned scholars provide new vantages on the question of how art is an expression of the human desire for God. In three interrelated parts, chapters employ phenomenological tools to propose new ways for speaking of the desire for God. Scholars first draw upon music, sculpture, film, and painting to develop ways of expressing diverse philosophical and religious aspects characteristic of aesthetic experience. The discussion then opens up to examine the mystical and wounded aspects of embodied interface with God. The final part investigates embodied aesthetic praxis in philosophy of religion and religious studies. With several contributions engaging with the embodied, aesthetic experience of underrepresented voices, Art, Desire, and God offers constructive phenomenological bridges across divides of disciplines, aesthetic experiences, and embodied actions.
The Feathered World
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