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Musicians, teachers and those who love music will find in this volume some answers to the question of how gender affects its practice, performance and reception. What was performing like for female rock singers in the 20th century? How did Bowie change our concept of performer identity? Just how sexist are the lyrics in glam metal songs? Is rap as homophobic as has been thought? Can female metal singers growl as well as men? Are LGBTQ+ issues reflected in 21st century music? Did Canadian New Wave groups tackle major social issues? How do Shakespeare and Joyce use musical puns and allusions? From Indian thumri, through French opera, Irish folk songs, and pop, all the way to metal and rap, the 17 contributions gathered here will challenge and inform, while confirming that our music shapes our habits, language, ideas and gendered selves.
Symphony and Song takes its title from Coleridge’s poem “Kubla Khan,” and explores the relation between words and music from a variety of critical and practical perspectives. The contributors to this volume apply recent theoretical approaches ranging from the “Mozart Effect” in cognitive psychology, through stylistics and conceptual metaphor, to transtextuality in the analysis of a range of songs, song lyrics, poetry, ekphrastic prose, and instrumental music. Topics explored here include opera and pop music from around the world, Australian Aboriginal oral poetry, political instrumentalization and censorship of song lyrics, and teaching foreign language using songs.
This book is a printed edition of the Special Issue "Marine Polysaccharides" that was published in Marine Drugs