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A Companion to Film Theory
This volume of specially commissioned work by experts in the field of film studies provides a comprehensive overview of the field. Its international and interdisciplinary approach will have a broad appeal to those interested in this multifaceted subject. Provides a major collection of specially commissioned work by experts in the field of film studies. Represents material under a variety of headings, including class, race, gender, queer theory, nation, stars, ethnography, authorship, and spectatorship. Offers an international approach to the subject, including coverage of topics such as genre, image, sound, editing, culture industries, early cinema, classical Hollywood, and TV relations and technology. Includes concise chapter-by-chapter accounts of the background and current approaches to each topic, followed by a prognostication on the future. Considers cinema studies in relation to other forms of knowledge, such as critical studies, anthropology, and literature.
A Companion to Australian Cinema
The first comprehensive volume of original essays on Australian screen culture in the twenty-first century. A Companion to Australian Cinema is an anthology of original essays by new and established authors on the contemporary state and future directions of a well-established national cinema. A timely intervention that challenges and expands the idea of cinema, this book brings into sharp focus those facets of Australian cinema that have endured, evolved and emerged in the twenty-first century. The essays address six thematically-organized propositions – that Australian cinema is an Indigenous screen culture, an international cinema, a minor transnational imaginary, an enduring auteur-genr...
Contemporary Australian Cinema
This introduction to the new Australian film industry explores prominent directors and stars, themes, styles, and evolving genres in an analysis of key films. The evolution of genres peculiar to Australia and adaptations of conventional Hollywood forms such as the musical and the road movie are examined through readings of landmark films, including Picnic at Hanging Rock, Mad Max trilogy, and The Adventures of Priscilla, Queen of the Desert. The key issue of the revival--the definition, representation, and propagation of a national image--is woven through the analysis.
Supply Chain Cinema
Why are big budget films typically made across an array of seemingly dissociated sites? Supply Chain Cinema shows how the production journeys of such films exemplify the principles of the supply chain, whose core imperative is to nimbly and opportunistically manufacturing wherever is most amenable and efficient. Through extensive on-site investigations and in-depth interviews with film professionals, Kay Dickinson delivers nuanced insight into working practices in the UK and the UAE. Among the sites she examines is Warner Bros' permanent base at Leavesden Studios near London. From tax breaks designed to attract foreign projects to infrastructures, logistical support and expertise offered, she considers why Hollywood giants elect to make more of their films in Britain than in the USA. Dickinson goes on to show how the UK's ambitions to enlarge its creative economies has opened up a host of competitive advantages with British higher education increasingly fashioned to conform to the needs of border-hopping enterprise, thus generating a workforce keenly adapted to the demands of blockbuster moviemaking.
American–Australian Cinema
This edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent studies aim to define national cinema as independent from or in competition with Hollywood, this collection explores a more porous set of relationships through the varied production, distribution and exhibition associations between Australia and the US. To explore this idea, the book investigates the influence that Australia has had on US cinema through the exportation of its stars, directors and other production personnel to Hollywood, while also charting th...
London was Full of Rooms
"London may have many rooms, but is there space for the travelling colonial? This collection of essays, memoirs and poems was initially inspired by the Malaysian writer Lee Kok Liang's ... London does not belong to me." --book cover.
The Making of the Australian Literary Imagination
In this controversial and engrossing study, Richard Nile debunks some of the powerful myths of cultural nationalism and observes its passing in favour of the celebrity author. He explores the power of nationalism as a governing force in the creation and ultimate demise of Australian literature, In a clear and accessible way, Nile invokes the stylistic possibilities of narrative history and creative non-fiction, playfully blurring the lines between them. The Making of the Australian Literary Imagination moves from literary London to the delights of Australian bookshops, gets inside Angus and Robertson and interrogates the politics of reputation. It investigates censorship and patronage, paperback heroes and the able-bodied writer, and explores cinema and literature in the century that quite clearly belonged to the novelist.
Railroad Telegrapher
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Colonialism and Nationalism in Asian Cinema
Examines the representation of the interlocking discourses of nationhood and history in Asian cinema. This book deals with film traditions in nine Asian countries, and is useful for Asianists, anthropologists, film scholars, and students of cultural studies and historians.
Gender Trouble Down Under
Gender Trouble Down Under takes up the 'Oz bloke' hypermasculine, heterosexual fantasy and shows to what extent this sexual, gender and national stereotype is odd, partial and exclusionary, in a word, queer. This re-reading of the Great Australian Legend demonstrates that Down Under is a paradise of perversion: buggery in the barracks between male convicts, cross-dressing bushrangers, bushmen as bent as a dog's hind leg, randy jackeroos ready for anything. And that is without counting the sportsmen in frocks, the queens in the desert, or Dame Edna Everage.
