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An intimate and detailed portrait of young Swedish women who chose to immigrate to America in the nineteenth century--why they left, what they found, and how they survived.
Recent tensions between the U.S. and Europe seem to have opened up an insuperable rift, while Americanization, deplored by some, welcomed by others, seems to progress unabated. This volume explores, for the first time and in a comparative manner, the role American culture and anti-Americanism play in eleven representative European countries, including major powers like Great Britain, France, (West) Germany, Russia/Soviet Union, and Italy as well as smaller countries like Austria, Denmark, Greece, Spain, Sweden, and Poland. Each contributor to the volume, all of them highly respected experts in their field, was asked to address the following four topics: the role of American public diplomacy, the transfer of American “high culture,” the impact of “popular culture” ranging from Hollywood movies and TV to pop music and life-style issues, and the country specific features and history of anti-Americanism. The volume is enhanced by a substantial introduction by the editor, which looks both at the general “culture clash” between the United States and Europe and at adaptations and blending processes that seem to have occurred in individual countries.
This study presents a general history of how journalism as an emerging profession became internationally organized over the past one hundred and twenty years, seen mainly through the associations founded to promote the interests of journalists around the world.
Eighteen essays explore interactions among Swedish and Norwegian immigrants to America, focusing on themes of friendship and competition through the lenses of identity, language, religion, and politics.
Transnationalism and American Serial Fiction explores the vibrant tradition of serial fiction published in U.S. minority periodicals. Beloved by readers, these serial novels helped sustain the periodicals and communities in which they circulated. With essays on serial fiction published from the 1820s through the 1960s written in ten different languages—English, French, Spanish, German, Swedish, Italian, Polish, Norwegian, Yiddish, and Chinese—this collection reflects the rich multilingual history of American literature and periodicals. One of this book’s central claims is that this serial fiction was produced and read within an intensely transnational context: the periodicals often circulated widely, the narratives themselves favored transnational plots and themes, and the contents surrounding the fiction encouraged readers to identify with a community dispersed throughout the United States and often the world. Thus, Okker focuses on the circulation of ideas, periodicals, literary conventions, and people across various borders, focusing particularly on the ways that this fiction reflects the larger transnational realities of these minority communities.
內容簡介 一八八六年創刊於上海的《德文新報》(Der Ostasiatische Lloyd)是近代中國報刊史上第一份德文報刊,同時也是近代在中國出版時間最長的德文報刊,連續出版超過三十年,因戰爭緣故於一九一七年停刊。本書運用歷史考證、定量分析等多種研究方法論述了這份德文報刊,從近代在華外報具有多樣性的視角重新思考在華外報的問題。該研究不僅明確考證了已有研究中關於《德文新報》存在分歧的資訊,並且呈現了該報對近代中國報業活動的諸多相關報導,這些既是中國近代報刊史研究領域的珍貴資料。
This work focuses on the principal trends and chief personnel essential to journalistic development in each country, and incorporates analysis of how each countrys journalists influenced, or were influenced by, journalists from outside its borders.